The Shadow Tarot is a magickal talismanic expression of art that gives visual representation to the guardians of the Tunnels of Set, evoking ancient and atavistic energies and opening portals to other dimensions. These hidden recesses in between the seeming reality of the dayside seep through strange lines and geometries; colors and shapes that seem alive, vivid with serpentine movement and a distant humming that molds consciousness into strange angles.
This deck of cards was carefully and loving crafted by Linda Falorio and Fred Fowler of AnandaZone. From the description that comes with the deck:
“The method of producing the images was to paint the ancient magickal sigil— probably of Sumerian origin or older, resurrected by Crowley in Liber CCXXXI—of the Qliphoth of each dayside Path, then immerse in the energies for weeks or months via meditation/tantra.”
Described by Kenneth Grant in Nightside of Eden, the denizens of these tunnels are evoked by means of special vibrations and color in combination with a ritual act of Will. The cards lend themselves to this work directly, being visual representations of these nightside energies.
Exploring this realm of consciousness is essential to wholeness; to often that which lies seemingly hidden in the shadows is denied or suppressed by the dayside of consciousness, with resulting projections into the world. One need only read some political news, or attend exoteric religious celebrations, to be reminded first hand of how all of the many problems in the world are the fault of the “other” philosophy, political party, belief system or person.
Until the dark side, that which lies hidden and repressed, is explored and a true sense of accord is reached, the personality is not whole. This is the true work of regeneration, an integration of the entirety of consciousness.
2 thoughts on “The Shadow Tarot”
wow. those cards look amazing. i’ve been on the lookout for a powerful and beautiful deck but not much calls to me. i think these could! : ) aleya
They embody a deep essence of the divine feminine in all of Her plays (lila). This is a powerful, profound work – I think you appreciate it!