These are some of the most amazing articles. I have returned to them again and again over the years, and they never cease to inspire me and launch me into new gnostic vistas:
Received my proof copies of The Magickal Union of East and West today!
The first 50 pages of the Magickal Union of East & West are now available for browsing via the Llewellyn Worldwide website. You are also able to pre-oder both the physical and electronic editions of the book via various sites. Contact your favorite book dealer and let them know you want to reserve your copy today!
However puzzling this may be, and however many philosophical problems it may raise, one clear look is enough to show its unavoidable truth. There is only this now. It does not come from anywhere; it is not going anywhere. It is not permanent, but it is not impermanent. Though moving, it is always still. When we try to catch it, it seems to run away, and yet it is always here and there is no escape from it. And when we turn round to find the self which knows this moment, we find that it has vanished like the past.
– The Way of Zen, Alan Watts
Really enjoying listening to some Tibetan tantrik ritual music. I use it to accompany some of the sadhana work I do, or have it playing in the background when I am studying or writing. I have a few albums, but also found some links online with good material. For example, check out this link to a 19 minute sample of very powerful, evocative ritual sounds. Conch shell, human thigh bones, cymbals, drums… remarkable, unique sounds that have an otherworldly feel and transport me to deep realms.
“In the basal (muladhara) chakra, the Kundalini is known as Amavasya (new moon), for at that place the sun and moon are conjoined; hence the muladhara is a dark power-zone. The next centre, svadhisthana, is flecked with the sun’s rays, hence it is a region of twilight, i.e. mixed moon- and sun-light. The third zone, manipura, is likewise of a mixed nature. On attaining the stage of Anahata, in the region of the heart, Kundalini is bathed in effulgence, and continues to be effulgent until She reaches the place of the Moon (at the vishuddha), the Qoph centre. The Ajanachakra, which represents Kundalini in exaltation, is the Pure Palace of Serene Brilliance. And so the ascent occurs from darkness, through twilight to sunlight, and finally to the cool lunar region of eternal snows which is bathed in the perpetual radiance of the Shri Chakra itself.” – Kenneth Grant, Cults of the Shadow
“Being aware means knowing what is really possible. For instance, some people have the intention of dedicating their whole life to practice. The idea is good, but in many cases it turns out not to be realistic. These people want to escape from their responsibilities and from their actual conditions, but this way they do not learn to integrate practice in their lives and they do not work with circumstances. In reality, running away is never the right solution because even if you avoid unpleasant situations, you will tend to always repeat the same actions, even in different circumstances.” – Guru Yoga, Namkhai Norbu
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It was Nietzsche that said “when you gaze long into an abyss the abyss also gazes into you.” (Beyond Good and Evil). Mystics and adepts of western esoteric traditions have long been aware of this principle, although rarely have individuals taken their path to such visceral levels, emphasizing instead the LVX of the Tree of Life and the dayside or Solar mysteries of the Holy Guardian Angel. This is the beginning of the path.
Once armed at all points, the journey to the depths of existence must commence in earnest. Certain advanced occult groups and individuals have made the exploration of the Void their focus; due to the very nature of such work, they tend to function as specialized cells forming secretive networks of travelers and explorers across space and time. For such, the distant stars and endless gulf of space are a matrix of time travel and indeed the very face of the Abyss, looking within.
The tantriks of Vajrayana and Hindu Vamamarga traditions have opened gateways to the Beyond and looked deep past frontiers of the known into that primal radiant darkness. In the cremation ground sadhanas of the Dark Goddess, the extra-temporal eternity of the Kalachakra, and the eternal presence of Dzogchen are embodiments of this secret tradition.
It is the artist perhaps that most directly opens to these grand vistas, and has the capacity to communicate what thy have experienced on the other side. Whether with visual, musical or poetic, the artist cohabitates most intimately with that nameless Void. As with the myth of Prometheus, stealing fire from the Gods and bringing it back to humanity, the artist travels to such realms of the empyream as are only glimpsed fleetingly by dayside consciousness. The artist conquers their fear and hesitation, leaping forward into the Unknown, and brings back such dark fruits as their capacity will permit.
One such artist working today is Malvika Jay. Her 13 Dimensional Art project is described by the artist as “(awakening) Fantastic, metaphysical and surrealistic subject matter, kaleidoscopic, fractal or paisley patterns, bright and/or highly contrasting colours, extreme depth of detail or stylisation of detail.” I would go further and say that what she has managed to convey oftentimes defies the minds capacity to analyze and label. The shadows drip like liquid light into vaguely recognizable forms, then again dissolve before your eyes only to recombine again into something else, something other. The closer you look, the more you realize that what was initially familiar is truly otherworldly, as new connections, new shadows radiate out into a spectrum of color that is not of this earth. This work is alive, and breathing, and right in front of your face. Even should you look away it is too late, for it has met your eyes and continues to stare deep into your soul, long after the visual image has subsided.
Do check out her ongoing magick that acts as gateways to other dimensions, time travel, extra-terrestrial and multi-dimensional entities, non-euclidean visions… Come close and warm yourself by the Fire she has stolen from the Stars. Look closely; you will be forever changed by what you see looking back at you.
Unless occultism becomes creative in the sense of opening up new approaches, modifying and developing traditional concepts and generally revealing a little more of the Supreme Goddess whose identity is hidden behind the veil of Isis, Kali, Nuit or Sothis, there will be stagnation in the swamp of beliefs rendered inert by the recent swift acceleration of humanity’s consciousness, which is little short of miraculous. If the science of the unmanifest is not to remain grounded at a pre-pubescent stage, while the manifested sciences soar into space, the mature occultist must put aside the toys of superstition and face fearlessly the Trees of Eternity whose trunks and branches glow with solar fire, but whose roots are nourished in the dark. – Kenneth Grant, Nightside of Eden
hung orgyen yul gyi nubjang tsam
Hūṃ! In the north-west of the land of Oḍḍiyāṇa,
pema gesar dongpo la
In the heart of a lotus flower,
yatsen chok gi ngödrub nyé
Endowed with the most marvellous attainments,
pema jungné shyé su drak
You are renowned as the ‘Lotus Born’,
khor du khandro mangpö kor
Surrounded by many hosts of ḍākinīs.
khyé kyi jesu dak drub kyi
Following in your footsteps,
jingyi lab chir shek su sol
I pray to you: Come, inspire me with your blessing!
guru pema siddhi hung
These are images from a few of the monasteries in Nepal, where the Buddhist dharma has taken deep root in the Himalayan villages.
More on the invocation of Guru Padmasambhava may be read here.