Diamond Sapphire at Pantheacon 2015

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I will be offering the Diamond Sapphire Gem of Radiant Light at this years Pantheacon in the Bay Area. This rite forms the core of the system of consciousness expansion that is described in my book The Magickal Union of East and West. Also present will be senior members of the Ordo Sunyata Vajra, including contributing author of the book, Charlotte Moore.

This will be a great opportunity to meet in person, share space and time in the radiant void of direct awareness, and afterwords get your copy of the book and have it signed by both authors.

Please do join us for this special public event!

Related articles:

Ceremonial Magick: Reuniting Yourself with the Natural World

Traveling with Spirits

Thelemic Refuge

sun salutation illustrated

In my book The Magickal Union of East and Westthere is a description of a practice from ashtanga yoga, the Surya Namascar (“Sun Salutation”). While the description is traditional, without instruction it can be difficult to follow.

My friend Andria Degens is certified instructor of yoga with her own practice in Hastings. She has studied and practiced extensively in India and the UK (see her full bio here). Andria kindly agreed to illustrate the major asanas of the sun salutation in order to augment the description in the text. With these photos and the outline given in the book, it should help to make the practice a bit easier to decode and get into for beginners.

If you are in the Hastings area, by all means sign up for her classes and get first hand practical instruction in this and deeper aspects of yogic disciplines. She also offers private one on one classes for serious students that wish to pursue the work in customized sessions. In addition to her love of yoga, Andria is a musician with many albums out, performing under the name Pantaleimon.

The description is from pages 12 -14  of The Magickal Union of East and WestPhoto credit goes to Dave Reading. The yogini is of course Andria herself.

Sun Salutation

Stand straight, with your feet together. Imagine a brilliant white sphere above your head with a white light streaming into it from above. Place your palms together, touching your chest. Sense the energy pouring into you, filling you with vitality and awakening every cell of your body.

DPP_0006Now breathe in deeply while you raise your arms above your head and bend backward from the waist.

DPP_0030Bending forward from your hips, breathe out slowly. Knees should be slightly bent (you do not want any strain on your lower back). Hands are flat on the floor beside your feet. At this point, your head should be near your shins.
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Breathe in and stretch your right leg behind so that your foot is at a right angle to your leg and resting on its toes. The left leg is vertical to the floor and your head is back.

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While you breathe, place your left foot back to match the right foot. The body is now in a straight line, supported only by your toes and hands, which are in a vertical line.

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Still holding your breath, lower your body and rest your toes, knees, chest, palms, and forehead on the floor. Stomach and pelvis are off the floor, with hands by your shoulders, elbows bent, and arms by your sides.

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Breathing out, lie flat on the ground. Feel the energy coursing through your body.

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Breathe in as you raise your head and then the upper part of your torso. Pelvis is flat on the ground and the head is back.

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Hold your breath and bring your feet flat onto the floor and raise your hips to form an inverted V shape.

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Still holding your breath, bring the right foot forward so that it is vertical and the left leg is back (the reverse of #4).

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Breathe out as you bring the left leg up and place your feet to- gether between your hands. Straighten your legs (with knees slightly bent) and place your head on your shins.

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Breathe in as you straighten up from the hips. Bring your arms up, and stretch them backward as you bend back from the waist. Hold your breath as you look backward.

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Breathe out as your straighten your body. Now raise your arms over your head and back again as you bend your elbows to place your hands together at your chest. See a radiant sphere of golden solar energy in your heart center, its rays penetrating and warming your entire body.

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like the reflections of birds flying over water

The student of Zen is confronted by a master who has himself experienced awakening, and is in the best sense of the expression a completely natural man. For the adept in Zen is one who manages to be human with the same artless grace and absence of inner conflict with which a tree is a tree. Such a man is likened to a ball in mountain stream, which is to say that he cannot be blocked, stopped, or embarassed in any situation. He never wobbles or dithers in his mind, for though he may pause in overt action to think a problem out, the stream of his consciousness always moves straight ahead without being caught in the vicious circles of anxiety or indecisive doubt, wherein thought whirls wildly around without issue. He is not precipitate or hurried in action, but simply continuous. This is what Zen means by being detached – not being without emotion or feeling, but being one in whom feeling is not sticky or blocked, and through whom the experiences of the world pass like the reflections of birds flying over water. Although possessed of complete inner freedom, he is not, like the libertine, in revolt against social standards, nor, like the self-rigtheous, trying to justify himself. He is all of a piece with himself and with the natural world, and in his presence you feel that without strain or artifice he is completely “all here” — sure of himself without the slightest trace of aggression. He is thus the grand seigneur, the spiritual aristrocrat comparable to the type of worldly aristocrat who is so sure of the position given to him by birth that he has no need to condescend or put on airs. – Alan Watts, This is It

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Typhonian Gnosis

draconis

These are some of the most amazing articles. I have returned to them again and again over the years, and they never cease to inspire me and launch me into new gnostic vistas:

The Heart of Thelema

Going Beyond

The Typhonian Tradition

Ceremonial Magick: Reuniting Yourself with the Natural World

In combination with the release of The Magickal Union of East and West: The Spiritual Path to New Aeon Tantra, I have a new article posted at Llewellyn International entitled  Ceremonial Magick: Reuniting Youself with the Natural World.

 

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The Stele of Revealing

I took this photo of the Stele of Revealing as it was in the Egyptian Museum in Cairo back in 2007. The Magickal Union of East and West explains some of the significance of this stele, as well as rites to enter into the current of initiation associated with it.

Stele of Revealing

I also managed to snap a few quick shots (very poor quality!) of the sarcophagus of Ankh-ah-na-Khonsu

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This was a good trip, and very profound on a few levels. Look forward to visiting again soon (and hopefully getting some better quality photos).

I am yours

Radiant Queen of the Universe! Thank you for your countless love and blessings, washing over samsara like lush monsoon rains, filling me with your vitality and rejuvenating like fresh Himalayan snows.

My every thought, word, deed for you. The blood pumping through my veins, the rhythm of life, is yours. Every breath, every glance, every touch, is yours.

This world is your playground where you dance endlessly. Let my heart beat always be the rhythm of your dance.

Victory to the Goddess! Jai Kalika Devi!
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The Magickal Union of East & West

The first 50 pages of the Magickal Union of East & West are now available for browsing via the Llewellyn Worldwide website. You are also able to pre-oder both the physical and electronic editions of the book via various sites. Contact your favorite book dealer and let them know you want to reserve your copy today!

Magickal Union East West

 

summer solstice

IMG_2587Mine began at 4:18am, up early to get in a good hike to see the sunrise. Then later in the evening went up to Lick Observatory atop Mt. Hamilton for the sunset. At 4500′, the peak affords an expansive view of Silicon Valley and beyond. On very clear days you can see all the way to Yosemite and Half Dome.

Through the 36″ telescope we had good views of the A30 globular cluster. 40,000 lightyears away. The thought of such ancient starlight  crossing such vast, empty gulfs of space and time, to be picked up by this telescope and directed into the retina of my eye at that very moment of time… boggles the mind. What was happening on the earth 40,000 years ago, when these beams of light started out?

We are indeed very fortunate to be alive in the present moment of time.

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parampara

From Michael Staley’s essay The Fool:

“Initiation is not a matter of swallowing wholesale what this, that or the other illustrious person has said at some time or another, but of making it real, of arriving at your own understanding. We take influences from diverse sources, whether it be Grant, Crowley, Spare, Blavatsky, Gurdjieff, Ramana Maharshi – to name but a few – and synthesise their work via the catalyst of our own experience, creating thereby an understanding and a body of work that is intrinsic to us. People who come after us will do likewise, again from a diversity of sources. In this way, knowledge and experience is passed down, and this is one meaning of parampara or spiritual lineage. ”

Could not have expressed it better. This sums up my approach to the Mysteries, and explains the diverse range of influences that have gone into my own work.

The Magickal Union of East & West, The Spiritual Path to New Aeon Tantra explores the fruit of some of this work.

Its just this, and nothing else

However puzzling this may be, and however many philosophical problems it may raise, one clear look is enough to show its unavoidable truth. There is only this now. It does not come from anywhere; it is not going anywhere. It is not permanent, but it is not impermanent. Though moving, it is always still. When we try to catch it, it seems to run away, and yet it is always here and there is no escape from it. And when we turn round to find the self which knows this moment, we find that it has vanished like the past.

– The Way of Zen, Alan Watts

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The Way

As celebrations for the Three Days of the Writing of the Book of the Law are commemorated, I give thanks to all of my teachers, past, present and future for their radiant light that they have shined upon the Way. The blessings of the guru are without doubt a precious gift, a manifold jewel.

ཧཱུྂ༔ ཨོ་རྒྱན་ཡུལ་གྱི་ནུབ་བྱང་མཚམས༔
hung orgyen yul gyi nubjang tsam
Hūṃ! In the north-west of the land of Oḍḍiyāṇa,

པདྨ་གེ་སར་སྡོང་པོ་ལ༔
pema gesar dongpo la
In the heart of a lotus flower,

ཡ་མཚན་མཆོག་གི་དངོས་གྲུབ་བརྙེས༔
yatsen chok gi ngödrub nyé
Endowed with the most marvellous attainments,

པདྨ་འབྱུང་གནས་ཞེས་སུ་གྲགས༔
pema jungné shyé su drak
You are renowned as the ‘Lotus Born’,

འཁོར་དུ་མཁའ་འགྲོ་མང་པོས་བསྐོར༔
khor du khandro mangpö kor
Surrounded by many hosts of ḍākinīs.

ཁྱེད་ཀྱི་རྗེས་སུ་བདག་བསྒྲུབ་ཀྱི༔
khyé kyi jesu dak drub kyi
Following in your footsteps,

བྱིན་གྱིས་བརླབ་ཕྱིར་གཤེགས་སུ་གསོལ༔
jingyi lab chir shek su sol
I pray to you: Come, inspire me with your blessing!

གུ་རུ་པདྨ་སིདྡྷི་ཧཱུྂ༔
guru pema siddhi hung

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As the root of all transmissions is Guru Yoga, so is the Guru the Root, Heart, Essence of Awakened Consciousness, the Radiant Void. I give thanks to the Guru, the union of all paths, the essence of the continuum of consciousness, the Speech in the Silence.

Lama

Lam! Thou Voice of the Silence! 
Glyph of Hoor-paar-kraat! 
The dwarf-self, the Hidden God! 
Gateway to the Aeon of Maat!
I evoke Thee! I evoke Thee! 
With the mantra Talam Malat, Talam Malat

OLALAM IMAL TUTULU!

OM AH HUNG

devi

Intoxicated with your dark eyes, whirling abysses of cosmic space

I worship the Greatly Beautiful One

She is dark as a black rock, wearing a jeweled crown.
The sign of a third eye is on her forehead, 
She, the Goddess with three eyes.
Like lotus petals, Her eyes are large, 
They shine like two bright jewels.
Her glance showers compassion. 
Three locks of matted hair adorn her.
Her face radiates contentment and,
She is gowned with much splendor.
Her raised left hand holds a sword, 
a human head in the lower one.
Her right hands grant sanctuary and boons to all.
Her tongue shows between her lips, 
the garland of skulls hanging to her feet
Bejeweled, of heavenly form, there is no skirt of human arms.
She stands on a lotus base, 
Her right foot on the chest of Shiva sprawled at Her feet.
Her other foot is on his right thigh. 
She grants freedom from fear. 
She the Goddess, is the expression of the ultimate Brahman. Meditate on Adya, the infinite, 
She who embodies the extreme beauty in form.

The Shadow Tarot

The Shadow Tarot is a magickal talismanic expression of art that gives visual representation to the guardians of the Tunnels of Set, evoking ancient and atavistic energies and opening portals to other dimensions. These hidden recesses in between the seeming reality of the dayside seep through strange lines and geometries; colors and shapes that seem alive, vivid with serpentine movement and a distant humming that molds consciousness into strange angles.

Shadow Tarot

This deck of cards was carefully and loving crafted by Linda Falorio and Fred Fowler of AnandaZone. From the description that comes with the deck:

“The method of producing the images was to paint the ancient magickal sigil probably of Sumerian origin or older, resurrected by Crowley in Liber CCXXXIof the Qliphoth of each dayside Path, then immerse in the energies for weeks or months via meditation/tantra.”

Tunnels of Set

Described by Kenneth Grant in Nightside of Eden, the denizens of these tunnels are evoked by means of special vibrations and color in combination with a ritual act of Will. The cards lend themselves to this work directly, being  visual representations of these nightside energies.

Exploring this realm of consciousness is essential to wholeness; to often that which lies seemingly hidden in the shadows is denied or suppressed by the dayside of consciousness, with resulting projections into the world. One need only read some political news, or attend exoteric religious celebrations, to be reminded first hand of how all of the many problems in the world are the fault of the “other” philosophy, political party, belief system or person.

Until the dark side, that which lies hidden and repressed, is explored and a true sense of accord is reached, the personality is not whole. This is the true work of regeneration, an integration of the entirety of consciousness.

Interview with POLARIS

The fine people at POLARIS (People Offering Light, Assistance & Resources In Spirit) conducted an interview with me, check it out and the rest of their site here:

http://www.polarisrising.net/index.php?%2Ftopic%2F540-interview-with-mystic-thelemite-gregory-peters%2F

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new aeon tantra

“The mantras that form the girdle and necklace of the Goddess, the sacred garland of letters which form her secret names are known only to Initiates. It has been said that all mantras, originally, were words or sounds uttered by the entranced suvasini, hence great care was (and is) taken to note down exactly what escapes her lips during the critical stage of the rite. […] Not only were her most casual words revered as mantric, her gestures also were regarded as sacred mudras indicative of the power with her and of the state of tumescence she had attained.” Kenneth Grant, Cults of the Shadow

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Ascent of the Fire Snake

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“In the basal (muladhara) chakra, the Kundalini is known as Amavasya (new moon), for at that place the sun and moon are conjoined; hence the muladhara is a dark power-zone. The next centre, svadhisthana, is flecked with the sun’s rays, hence it is a region of twilight, i.e. mixed moon- and sun-light. The third zone, manipura, is likewise of a mixed nature. On attaining the stage of Anahata, in the region of the heart, Kundalini is bathed in effulgence, and continues to be effulgent until She reaches the place of the Moon (at the vishuddha), the Qoph centre. The Ajanachakra, which represents Kundalini in exaltation, is the Pure Palace of Serene Brilliance. And so the ascent occurs from darkness, through twilight to sunlight, and finally to the cool lunar region of eternal snows which is bathed in the perpetual radiance of the Shri Chakra itself.” – Kenneth Grant, Cults of the Shadow

Sothis and the 15th Kala of the Moon

On the 15th kala, associated with the Goddess Herself:

“The other vehicle sacred to this kala is the Eagle, the Kerub of Aquarius presiding over the 15th Path. Aquarius plays a vital role in the symbolism of the New Aeon. It is the place of the North attributed to Nuith who brings forth the two waters depicted in the sign of Aquarius as two undulating lines. In the Tarot Trump attributed to this sign a woman is seen pouring the waters from two jars.1496368_170646393146560_242834440_o

The seven-pointed Star of Venus above her is identical with the seven-rayed Star of Babalon, the Seal of Set which comprises the Mother and the Child in one glyph. This is also the Star of Sothis, the planetary representative of which is Venus. Sevenor Sevekh, was the primal goddess of the seven stars (Ursa Major) of the planisphere, and these stars or rays were the seven heads of the Dragon of the Deep that later appeared in the Christian myth as the Beast of the Apocalypse. The Star of the 15th kala is therefore the Star of Sothis or Shaitan, and it is concealed in the feminine generative essence known as the soul or blood of Isis.” – Nightside of Eden, Kenneth Grant

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Pre-Order the Magickal Union of East & West

The pre-order page is up and running. Get your discounted orders in ahead of time!

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Order here: https://www.llewellyn.com/product.php?ean=9780738740447

Radiance of the Eternal Night

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The Great Goddess Herself in the form of Kali is a star traveller. She that moves beyond the realms of light itself is also beyond the confines of time; the first star walker that brought the fire of consciousness to the human race. We know Her in Thelema as Nuit, or Babalon, depending on Her many moods and boons. The Adept that has the siddhi of the Goddess resides in that base of pure awakened consciousness; to such a Victorious One, space and time are tools and the Devotee partaking of this magical grace becomes a traveller through space and time.
Jai Devi! Jai Kali!

13 Dimensional Art

It was Nietzsche  that said “when you gaze long into an abyss the abyss also gazes into you.” (Beyond Good and Evil).  Mystics and adepts of western esoteric traditions have long been aware of this principle, although rarely have individuals taken their path to such visceral levels, emphasizing instead the LVX of the Tree of Life and the dayside or Solar mysteries of the Holy Guardian Angel.  This is the beginning of the path.

Once armed at all points, the journey to the depths of existence must commence in earnest. Certain advanced occult groups and individuals have made the exploration of the Void their focus; due to the very nature of such work, they tend to function as specialized cells forming secretive networks of travelers and explorers across space and time. For such, the distant stars and endless gulf of space are a matrix of time travel and indeed the very face of the Abyss, looking within.

The tantriks of Vajrayana and Hindu Vamamarga traditions have opened gateways to the Beyond and looked deep past frontiers of the known into that primal radiant darkness. In the cremation ground sadhanas of the Dark Goddess, the extra-temporal eternity of the Kalachakra, and the eternal presence of Dzogchen are embodiments of this secret tradition.

It is the artist perhaps that most directly opens to these grand vistas, and has the capacity to communicate what thy have experienced on the other side. Whether with visual, musical or poetic, the artist cohabitates most intimately with that nameless Void. As with the myth of Prometheus, stealing fire from the Gods and bringing it back to humanity, the artist travels to such realms of the empyream as are only glimpsed fleetingly by dayside consciousness. The artist conquers their fear and hesitation, leaping forward into the Unknown, and brings back such dark fruits as their capacity will permit.

One such artist working today is Malvika Jay. Her 13 Dimensional Art project is described by the artist as “(awakening) Fantastic, metaphysical and surrealistic subject matter, kaleidoscopic, fractal or paisley patterns, bright and/or highly contrasting colours, extreme depth of detail or stylisation of detail.” I would go further and say that what she has managed to convey oftentimes defies the minds capacity to analyze and label. The shadows drip like liquid light into vaguely recognizable forms, then again dissolve before your eyes only to recombine again into something else, something other. The closer you look, the more you realize that what was initially familiar is truly otherworldly, as new connections, new shadows radiate out into a spectrum of color that is not of this earth. This work is alive, and breathing, and right in front of your face. Even should you look away it is too late, for it has met your eyes and continues to stare deep into your soul, long after the visual image has subsided.

Do check out her ongoing magick that acts as gateways to other dimensions, time travel, extra-terrestrial and multi-dimensional entities, non-euclidean visions… Come close and warm yourself by the Fire she has stolen from the Stars. Look closely; you will be forever changed by what you see looking back at you.

13 Dimensional Art

 

 

 

 

Blessings of the Solstice

May that Mighty One, that Great Goddess of Infinite Space & Infinite Stars, that Radiant Darkness that is both the womb of all manifestation and also the Destroyer of all Space and Time, who grants all siddhis and whose laughter is the vibration that manifests infinite universes, that dear one, that dancing goddess in the cremation grounds, surrounded by jackals and dogs, black crows and ghosts, drinking liquor from a Kapala, with luminous dark eyes, that beautiful one, that victorious one, that invincible one, Mighty Kali, be praised!

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Trees of Eternity

Kali

Unless occultism becomes creative in the sense of opening up new approaches, modifying and developing traditional concepts and generally revealing a little more of the Supreme Goddess whose identity is hidden behind the veil of Isis, Kali, Nuit or Sothis, there will be stagnation in the swamp of beliefs rendered inert by the recent swift acceleration of humanity’s consciousness, which is little short of miraculous. If the science of the unmanifest is not to remain grounded at a pre-pubescent stage, while the manifested sciences soar into space, the mature occultist must put aside the toys of superstition and face fearlessly the Trees of Eternity whose trunks and branches glow with solar fire, but whose roots are nourished in the dark. – Kenneth Grant, Nightside of Eden

 

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Strategic Sorcery on the Oath of the Abyss (reposted)

Below is a repost of my recent interview at warlock asylum, with insightful commentary from The Strategic Sorcery blog of Inominandum. Do check out the rest of his blog for a wealth of great articles.

http://www.inominandum.com/blog/interview-with-a-mystic/

art

The walk around an art gallery is a rather dismal affair after all; the spectator moves, the picture remains motionless, dead memories of vital moments… Yet art, in the true and vital sense, is an instrument, a magical machine, a means of occult exploration which can project the seer into the realm of the Unseen, and launch the waking mind into the seas of subconsciousness” – Outside the Circles of Time, Kenneth Grant

the radiant void at the heart of tantra

Great Goddess

The dance of tantra is the dance of maya; a dynamic  microcosm of life with the panchatattva elements each symbolizing not only parts of our daily life and body, but the primordial elements, the building blocks of the universe. This dance of life will not fit into expectations or preconceived notions; while there may be general guidelines, the nature of this path is that it is unpredictable.

Tantra, whether Kaula or Vajrayana or beyond, is a dance and interplay of energy. At the heart of this energy is the void, Nuit. This is the same Heart of Thelema, a complex philosophy that embodies a western Tantra with the Great Void at the very core of the idea of True Will.

Dakini

Dzogchen or Atiyoga is considered beyond even the tantras, informing them with their radiant sunyata. In the tantra of Thelema this void or primordial creatrix is called Nuit, the Goddess of Infinite Space and Infinite Stars. This is the reality of the present moment, and the identification that cyclic existence and nirvana – or the radiant pristine awareness of consciousness – are indeed identical, that in fact there is and has never been a separation of these “states” but only a veil (compare “the khabs is in the khu”,Liber Legis I:8)  to this preeminent Awareness.

All paths, all gurus, all means, all obligations resolve into One at the level of awakening to the presence of primordial state, free from all limitations and conditioning . The “differences” are skillful means, in order to present as many opportunities as possible to different types of personalities and methods of learning. It is from this resting in the primordial state that natural compassion arises.

The means “pass and are done,” but there will always be “that which remains,” that inexhaustible, incorruptible, primordial Awareness (Liber Legis, II:9)

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