The Goddess of Infinite Space and Infinite Stars

Nuit

April 8, 9 and 10 are important milestones in the tradition of Thelema, marking the grounding of Liber AL vel Legis, the Book of the Law. This book is the first great Western Tantra, ushering in a new era of awakened consciousness for those that choose to consciously step forward into the morning light of the New Aeon.

As for the veracity of such “modern” writings, I am reminded of a quote from Sir John Woodroffe from his commentary to the Anandalahari:

The Tantras however appear and disappear according as they are revealed or withdrawn. Their authority does not depend on the fact that they were published to men on a particular date but on the Siddhi to which they lead; that is, the actual result flowing from them. This result proves the authority of the Tantra even though it were revealed yesterday.

The rewards of working with this direct path to realization are manifold and unique to every individual that comes to know and fulfill the True Will.

May all sentient beings, boundless as the sky, have Real Peace, Real Freedom and Real Happiness!

Black Night

DeviHer eyes are black
and infinity stares into me from them
Her red lips are parted in a smile,
showing her brilliant white teeth
and her red tongue hanging out with intoxication
of celestial love
I am drunk on you
before even first tasting the patra
I am drunk on your love
the blood from your lips
is honey in my mouth
warm and coruscating though every part of my body
my heart is a burning ground
where I love you
I give myself to you completely
your name is ecstasy to me
every syllable, every letter
drips nectar into my soul
in union with you
everything is Bliss
the doorway to that radiant Night
the mirror of that infinite kiss
releases lies of separation
take my head, Kali!
drink deep my blood that I may be with you
this bliss is an outer garment
a play a dance a song
of your radiant eternal night

Seeing the Kumari

When I was in Nepal ready to embark for the Everest Circuit Trek my flight from Kathmandu to Lukla airstrip  got delayed by one day due to poor visibility on the mountain. I took that day to walk around Kathmandu and in particular explore Durbar Square. Little did I know I was walking right into the festival of  Indra Jatra and the Kumari.

Continue reading “Seeing the Kumari”

I am Her murti

Jai KaliGenerally speaking, the sadhaka will be placing life into the murti on the shrine with prana pratishta after a series of ritual acts of purifying and energizing your body. The elements are purified and activated with bhuta shuddhi. The energetic levels are equilibrated with pranayama. Mantras and accompanying mudras are given. Light, incense, water, flowers, the very Self is presented as offering. The divine aspect is projected out with the breath into the statue, often onto a flower either physical or visualized; the cold statue becomes divinized, the Goddess is present, and worshipped accordingly.

That is not what is happening.  Continue reading “I am Her murti”

chaos and passion

Bhairava, a fierce form of Shiva. Kathmandu, Nepal

June McDaniel’s The Madness of Saints: Ecstatic Religion in Bengal gives a detailed explanation of the contrast between the traditional and formal approach of the right hand path, and the truly bacchanalian and chaotic spontanaity of the left hand:

The path of progression is associated with Jame’s lysis or gradual approach. It emphasizes order and harmony, and the divine is reached by self-control and obedience. The god is most present in the greatest purity — of self, of place, of statue. Such purity involved loyalty to lineage and tradition, acceptance of hierarchy and authority, and ritual worship and practice.  Ecstasy is attained by faith and learning, by acceptance of dharma, and avoidance of siddhis (powers) and self-glorification. Such a path  is yogic and devotional, and called in Bengal sastriya dharma, the path of scriptural injunctions.

The path of breakthrough is associated with Jame’s crisis, or abrupt change. It emphasizes chaos and passion, and the divine is reached by unpredictable visions and revelations. The presence of deity is not determined by ritual purity — the god may be found in pure situations, but also at the burning ground, at the toilet, in blood and sexuality, in possessions and ordeals. Initiation and lineage do not determine  experience — often there is a “jumping” of gurus — where different gurus are followed at different times. The criterion of status is neither yogic knowledge nor ritual skill, bur rather bhava, the ecstatic state that comes with experience of the divine. Such states are called sahaja (natural and spontaneous) or svabhavika (unique to particular individual). The path is more generally called asastriya, or not according to the scriptures.

While these two general approaches apply to the work as a whole, it is also interesting to note that in the tantrik sadhana and specifically with the ritual of panchatattva, both are combined. There is a lineage of instruction and ritual technique, which if persisted in deeply will transform into spontaneity  and unpredictability. In this sense, the tantras have encoded into them the essence of developing spontaneous creativity as well as providing the means to forge the link to the true Guru. Tantra, followed sincerely and with all that one is, is a fast and direct path of realization that is unique to every person, while still growing out of known forms and traditions of lineage.

Creativity

Michael Staley’s essay The Resurgance of Cosmic Identity (published in the Jeruslaem Press edition of Austin Osman Spare’s Book of Pleasure) is inspired and insightful. This part in particular struck a deep cord:

“When assessing the body of work of an adept of whatever means of expression — be it in the graphics arts, writing, or music — we should not expect always to find a steady progression with consistent themes and gradual development. Rather, we often find abrupt changes of direction: projects taken up and then lain aside, unfinished. This is because an adept -in whatever medium the genius is expressed – is driven primarily by currents of inspiration which are caught — often fleetingly — and articulated through his or her work. some of these currents of inspiration can lead to long and extraordinarily fruitful phases of work. Others yield little, either proving to be cul-de-sacs, or simply giving way to yet another inspiring current. Thus it is that in retrospect we can examine particular phases of the adept’s career, and wonder why some apparently fruitful line of working was dropped, or not fully developed. The body of work is living, abounding with loose ends, and open to further development by others.”

It is not enough to only preserve what has come before, as though it were some great commandment etched in stone and never to adapt or grow. Rather than sit tight, holding fast to “what has come before” and chanting the droll mantra “it has always been this way”, we should rise to the opportunity as the successors and heirs of the many great masters, to pick up the subtle threads and hints of their work and tend to them, developing new and often inspired works. Life is ever evolving and growing in new and often unexpected directions.

Samsara and Nirvana are One

“Esoteric Buddhism teaches that Reality presents two aspects, one relative finite and conditioned, and one absolute, infinite and unconditioned. Seen with the eye of the unenlightenend being who is turned about on the wheel of existence these two aspects appear separate and irreconcilable, but to the Eye of the Buddha (butsugen) at the unmoving hub they are the inseperable facts of a single truth. In the partial view from the periphery all things are seen as transient and in momentary transformation, lacking an abiding self-nature; but in his total, all-encompasing view from the centre a Buddha sees that the imperfect, ephemeral and mutable dharmas merge with perfect, eternal and immutable Suchness (tathata, shinnyo). He sees that the world of fleeting, impermanent forms and the Buddha’s world of adamantine durability are non-dual.”  – The Matrix and Diamond World Mandalas of Shingon Buddhism (Adrian Snodgrass)

Notes on the Kaula Commentary

From the tantrik commentary by Curwen (quoted in Beyond the Mauve Zone):

mamsa still continues to be flesh; meena still floats like fish in the water by which it is surrounded; mudras are secrets to all but initiates and cannot be communicated ecept by word of mouth and face to face with the Guru; and maithuna alone can rejuvenate her after the exaustion of the Puja.

Grant continues:

The wine or madhya is the urine of the Suvasini after the Fire Snake has absorbed the amrita or nectar of the ultimate chakra, Sahasrara. This nectar or soma is the ‘moon-juice’ of ancient Vedic lore. The flesh, mamsa, is the lunar emanation embodined in the menstrual fluid at a certain stage of its flow; and the fish (meena) is a secretion that swims in the waters of the lotus-pool. The maithuna is the mystical congress of Shiva and Shakti — Consciousness and its Power — in the Sahasrara Chakra.

[…]

For the fully initiated Kaula Adept, the universe is a manifesation of perpetual joy, bliss, Amrita (deathlessness), from which he distils the elixir of immortality. Liber AL, today, echos his paen of rapture:
Remember all ye that existence is pure joy; that all the sorrows are but as shadows; they pass & are done; but there is that which remains.

[…]

The final bija, Krim, is the bija-mantra of Goddess Kalika, the hidden Principle of Creation described in the Ratrisukta as ‘Night.’ She it i who reveals the universe as a shadow (chaya). She is the reflex of all colours (kalas), Herself ‘without colour’; black. Yet is She the background of light, and the crescent (shashi-kala) on Her brow denotes that She is the originator of nada-bindu-kala, the trikona at the center of the Sri Chakra. When fully self-expressed She appears as Uma, with the glamout of the full moon, and is then known as Sri Vidya. Her essence, however, is always Ama (darkness). Uma (light) and Ama (darkness) are the twin poles between which flashes the vibration AUM. As Japa of the bija-mantras leads the Fire Snake progressively higher, do do the energies released in the lower chakras, bordering the subconsciousness, become increasingly active.

The True Guru

“As the western adept is required to have established contact with his ‘Holy Guardian Angel’ (in Tiphareth) before achieving initation into the Greater Mysteries, so the eastern chela has to have raised the Fire Snake to the Place of the Guru (Âjna chakra) with whom he renews contact  in each incarnation in order to maintain continuity of magical consciousness in the waking-state. A further comparison: during sadhana, the Self (Atma) assumes an external form and appears as the Guru, or inwardly as the Angel. The Fire Snake also appears outwardly and assumes the form of the Suvasini or of the Scarlet Woman.”

Beyond the Mauve Zone, Kenneth Grant

Thoughts in the Pitha

I finally “got” Bagalamukhi, as a protector and warrior against all that distracts from the True Will and the Work. She and her retinue are fierce beyond all means. Waves of radiance and bliss from Union with Kali encircled by the fiery daggers of Bagala radiating outwards in all directions.

The panchatattva is ultimately kundalini. The symbols speak on multiple levels. Outwardly the Homa ritual; secretly the Panchatattva; in the Hidden Shrine the Fire Snake and her ascent up the chakras.

The dhuni or fire pit is the cremation ground. The cremation ground is the yoni of the goddess. This is in the Heart of the Master. The ashes of the flames are indeed the radiance of the kalas, the dew of light emitted from the wetness of the Goddess. Let that wetness direct (Tripura gayatri).

The Ananda Lahari is the emanation of the goddess in spoken form.Image

Divine Pride

Reflecting back on a post from the other day, I was reminded of this wonderfully simple description:

“The main Ethics of the Book of the Law. Man is asked to act as if it were true that he is a spark of that great light of God. Those who insist on making that assumption, on basing all their lives on it, are the Thelemites.” (Churton quoting unpublished AC)

This is the practice of Divine Pride as taught in the tantras, wherein the personal self is given over completely to the chosen deity such that it for a time lives inside of the practitioner. The Goddess then sees with your eyes, hears with your ears, tastes and speaks with your mouth, feels with your heart. Your very body becomes the temple of the divine and allows the infinite to experience the finite.

Through practices of purification, dedication and self exploration, the personality may be tuned such that it is able to open up to this Divine Pride. Generation stage practices for example, where the deity is visualized in great detail as external to the operator, are part of this process of training. Another approach is given in the western practices of “assumption of God forms,” although without much of the explanatory and supporting practices unless one is careful to follow a detailed training regimen of foundational exercises in yoga, meditation and ritual.

Live life according to Thy Will is the First Step, and the Last Step. For many that may be the entire Journey, and as such there is no greater reward.

(As a side note, Churton’s biography of the Old Man has a post from last year in the Telegraph)

Will, Knowledge and Action

“The essence of independence has been to think and act according to standards from within, not without.”
Aleister Crowley

Recently saw a post on facebook with the above quote by Crowley, and was reminded again of the simplicity of the core message of spiritual enlightenment. The essence of the teaching, the first step or first grade, is to learn who one is, free from external influence. Once this knowledge is gained, you need to put it into practice.

Live life according to your Will. This is the essence of the tantrik word svecchacharaThis compound word is made up of the three shaktis. These three Goddesses are Iccha Shakti (Goddess of Will), Jnana Shakti (Goddess of Knowledge), and Kriya Shakti (Goddess of Action). The term Shakti represents Power itself; specifically the divine feminine power that is the essence of the Goddess Kundalini.

In the tantras these primary Shaktis may be worked with by means of ritual or visualization practices possibly involving mantra, yantra and mudra. Outer court systems in the Western Mysteries may also work with these in the form of alchemical symbolism such as the elemental grade workings.

Whatever system is used, the basic tenet of discovering who one is, and then living that Truth of Self remains the same.  All you have to do is be yourself, to do your will, and rejoice.” – The Law of Liberty

Jai Kali, Jai Ma Bhavatarini!

Victory to Kali, Victory to the Mother, the Savior of souls!

godess-kali-1

Salutations again and again

to the Devi who abides in all beings in the form of consciousness;

to the Devi who abides in all beings in the form of intelligence;

to the Devi who abides in all beings in the form of sleep;

to the Devi who abides in all beings in the form of hunger;

to the Devi who abides in all beings in the form of power;

to the Devi who abides in all beings in the form of modesty;

to the Devi who abides in all beings in the form of peace;

to the Devi who abides in all beings in the form of faith;

to the Devi who abides in all beings in the form of loveliness;

to the Devi who abides in all beings in the form of compassion;

to the Devi who abides in all beings in the form of contentment;

to the Devi who abides in all beings in the form of mother.

May that Devi, the Mother, who appears in the form of all things,

bring forth benefits for all who sing Her praises.

Waves of Bliss

Oh Mother, may all my speech, howsoever idle, be recitation of Mantra; may all the actions with my hand be the making of ritual gesture ; may all my walking be the pacing around Thy image in worship ; may all my eating and other functions be Homa rites; may the act of my lying down be prostration before Thee; may all my pleasures be an offering to the great self. Whatsoever I do may it be counted for the worship of Thee. –Anandalahari, v.27

compassion

“…there is another kind of love and compassion… Just be what you are… You simply be what you are in the world, in life. If you can be what you are, external situations will become as they are, automatically. Then you can communicate directly and accurately, not indulging in any kind of nonsense, any kind of emotional or philosophical or psychological interpretation. This third way is a balance way of openness and communication which automatically allows tremendous space, room for creative development, space in which to dance and exchange.”

There is no law beyond: Do what thou wilt

“The fundamental characteristic of true compassion is pure and fearless openness without territorial limitations. There is no need to be loving and kind to one’s neighbors, no need to speak pleasantly to people and put on a pretty smile. This little game does not apply. That is the basic openness of compassion: opening without demand. Simply be what you are, be the master of the situation.”

The vice of kings.

“That fearless vision reflects on you as well: it affects how you see yourself. If you look at yourself in the mirror — at your hair, your teeth, your mustache, your coat, your shirt, your tie, your dress, your pearls, your earrings — you see that they all belong there and that you belong there, as you are. You begin to realize that you have a perfect right to be in this universe, to be this way, and you see that there is a basic hospitality that this world provides to you. You have looked and you have seen and you don’t have to apologize for being born on this earth.”

every man and every woman is a star

(main quotes are from Chogyam Trungpa’s Cutting Through Spiritual Materialsm)

The Heart of Set

Ib n S(w)t(y)

ant hr.k sr r nhh
ant hr.k sr r shtch hr.ib wkh
m khn b(a).(a) s(a)uty khybyt.(a)
wn wt n b(a).(a) n khybyt.(a) m(aa).f Ntr (aa)
m(aa).(a) b(a).(a) khybyt.(a) Ntri ib n S(e)t.hh
kkw smw i.n khr.k khw.k w ib.kw(a)
sm.(a) ib.(a) n wnnwt.f nbtt krh
b(a).(a) pw Ntr b(a).(a) pw hh
nk s S(e)t s nsrt
nk ib n S(e)t.hn
nk S(e)t.hh (aa)sh ms.khwt wkh
s b.k sb (a)nkh
ib n S(e)t.hh

Homage to Thee, Prince of Eternity!
Homage to Thee, Prince of Light and Darkness!
Let my soul not be shut in, let my shadow not be fettered;
Let the Way be Open for my soul and for my shadow,
may it see the Great God —
May I look upon my soul and my shadow,
the Divine Heart of the Everlasting Fire of Set!
Within night and darkness, I have come to thee —
I am glorious, I am pure.
May I follow my heart at it’s season of Fire and Night.
My soul is God, my soul is Eternity.
I am the Son of Set, Son of Fire!
I am the Heart of Eternal Set!
I am the Everlasting Fire of Set,
Child of the Radiant Darkness!

Some additional information

Lantern of Thebes

An effective and simple method of rapidly establishing an active current of Light in the sphere of sensation is to use the Egyptian mantra from Liber AL vel Legis in conjunction with a Middle Pillar type practice, incorporating the Four Worlds map of consciousness. In this method, each line of the mantra is associated with one of the Four Worlds, thus:

Atziluth            A ka dua                           Sahasarachakra              Kether
Briah                Tuf ur biu                          Anahattachakra              Tiphareth
Yetzirah          Bi a’a chefu                       Svadhisthanachakra      Yesod
Assiah              Dudu ner af an nuteru  Muladharachakra           Malkuth

The entire paraphrase in english is a powerful micro-ritual in and of itself, serving as an effective invocation of the Light also along the lines of a modified Middle Pillar ritual, in that each stanza may be associated with one of the 4 Worlds, utilizing the Gate Sephiroth of Kether, Tiphereth, Yesod, and Malkuth to rise through the different levels of consciousness as one ascends the Tree, or bring the current of Divine Light down the Tree to ground into matter:

1. [Standing straight up, hands to the sides, visualize your sphere of sensation filling with radiant white light, with a barely perceptible field of blue light at the outer perimeter of the aura. With this current of energy coursing through your system, say:]

I am the Lord of Thebes, and I The inspired forth-speaker of Mentu; For me unveils the veiled sky, The self-slain Ankh-af-na-khonsu Whose words are truth. I invoke, I greet Thy presence, O Ra-Hoor-Khuit!

2. [Atziluth. Kether. Visualize Divine white brilliance above the head at the sahasarachakra as a radiating luminescent sphere and say:]

Unity uttermost showed! I adore the might of Thy breath, Supreme and terrible God, Who makest the gods and death To tremble before Thee: — I, I adore thee!

3. [Briah. Tiphereth. Bring a current of white light down from the Kether sphere to the anahattachakra at the chest, where a brilliant rose-gold solar sphere of radiant fire appears:]

Appear on the throne of Ra! Open the ways of the Khu! Lighten the ways of the Ka! The ways of the Khabs run through To stir me or still me! Aum! let it fill me!

4. [Yetzirah. Yesod. The current of white light extends down from the chest to the genitals at the svadhisthanachakra, as a sphere of brilliant luminescent violet light emerges:]

The light is mine; its rays consume Me: I have made a secret door
Into the House of Ra and Tum, Of Khephra and of Ahathoor.
I am thy Theban, O Mentu, The prophet Ankh-af-na-khonsu!

5. [Assiah. Malkuth. The scintillating column of white light descends from the genitals to the feet representng the muladharachakra, where a sphere of brilliant citrine light appears:]

By Bes-na-Maut my breast I beat; By wise Ta-Nech I weave my spell. Show thy star-splendour, O Nuit! Bid me within thine House to dwell, O winged snake of light, Hadit! Abide with me, Ra-Hoor-Khuit!

6. [Circulation of the Light. Now pause to see the four spheres of radiant light, and the central column of brilliance connecting them all Reaffirm each of the centers from the Crown down to the feet, while vibrating the appropriate mantra as below:]

[Atziluth]           A ka dua           [Sahasarachakra                         Kether]

[Briah]              Tuf ur biu         [Anahattachakra                        Tiphareth]

[Yetzirah]          Bi a’a chefu      [Svadhisthanachakra      Yesod]

[Assiah]             Dudu ner af an nuteru [Muladharachakra Malkuth]

[With each inhalation, see a current of Light rise up the central column from the feet, until it reaches the crown center. On each exhaltation, see the Light spray out of the crown center like a fountain of radiance, bathing the entire sphere of sensation in stellar light. Repeat at least three times.]

From this point, you may wish to go into meditation, invocation of the Holy Guardian Angel, or other forms of ritual and meditative Work.  This ritual quickens the astral light and helps to release the several energetic layers of the aspirant, rendering and combining them into a powerful, vibratory symphony of multiple currents of energy.  This rite may effectively be practiced once a week at the beginning; then moving to once a day after a few months of weekly practice; eventually twice a day sessions (morning and evening).

This practice is open to quite a lot of specialization. For example, it may be used to lock in a particular tattvic current with the proper visualizations, and then circulate the light modified by that tattva throughout the sphere of sensation. From this you may modify the practice for the consecration of implements, talismans, and so forth by charging your sphere of sensation and then projecting it onto the item to be consecrated.

You may use it to effectively change the atmosphere of a room (external influence) or your personality (internal influence) by attuning to planetary or astrological currents of energy. You may generate healing currents of life force and apply these to yourself, or to others both physically present or at a distance.

The key to these workings is the right use of breath and visualization in coordination with your intent (Will). Add to this the use of Word (vibration) with mantra, and you will unlock a powerful method of practical magick. The adaptations of the Lantern of Thebes are manifold and left to your own Inner Genius for discovery.

Invoking Shakti

Shri Shankara said – Liquor, which is under a curse, is the form of the Absolute. Freeing it from the curse it becomes the Absolute itself, the supreme ambrosia. O Devi, it becomes like this by offering to Mahadevi.

From the 14th chapter of Shri Matrika Bheda Tantra (translated by Mike Magee)

Some notes on tantra

Among the many meanings of the word tantra (root tan, “extend,” “continue,” “multiply”), one concerns us particularly – that of “succession,” “unfolding,” “continuous process.” Tantra would be “what extends knowledge” (tanyate, vistarayate, jnanam anena iti tantram).

We must reckon with possible Gnostic influences, which could have reached India by way of Iran over the Northwest frontier. For more than one curious parallel can be noted between tantrism and the great Western mysterio-sophic current that, at the beginning of the Christian era, arose from the confluence of Gnosticism, Hermeticism, Greco-Egyptian alchemy, and the traditions of the Mysteries.

It is noteworth that tantrism developed in the two border regions of India — in the Northwest, along the Afghan frontier, in western Bengal, and especially in Assam. On the other hand, according to Tibetan tradition, Nagarjuna was a native of Andhra in southern India — that is, in the heart of the Dravidian region.

… for the first time in the spiritual history of Aryan India, the Great Goddess acquires a predominant position… In Hinduism, the Sakti, the “cosmic force,” is raised to the rank of Divine Mother who sustains not only the universe and all its beings but also the many and various manifestations of the gods. Here we recognize the “religion of the Mother” that in ancient times reigned over an immense Aegeo-Afrasiatic territory and which was always the chief form of devotion among the autochthonous peoples of India.

But we also recognize a sort of religious rediscovery of the mystery of woman… every woman becomes the incarnation of the Sakti. Mystical emotion in the prsence of the mystery of generation and fecundity — such it is in part. But it is also recognition of all the is remote, “transcendent,” invulnerable in woman; and thus woman comes to symbolize the irreducibility of the sacred and the divine, the inapprehensible essense of the ultimate reality. Woman incarnates both the mystery of creation and the mystery of Being, of everything that Is, that incomprehensibly becomes and dies and is reborn.

A well known myth thus accounts for the birth of the Great Goddess. A monstrous demon, Mahisa, threatened the unverse and even the existence of the gods. Brahma and the whole pantheon appealed to Vishnu and Siva for help. Swollen with rage, all the gods put forth their energies in the form of fire darting from their mouths. The flames joined into a fiery cloud, which finally took the form of a goddess with eighteen arms. And it was this goddess, Sakti, who succeeded in crushing the monster Mahisa and thus saved the world.

Quoting Zimmer: the gods “had returned their energies to the primeval Sakti, the One Force, the fountain head, whence originally all had stemmed. And the result was now a great renewal of the original state of universal potency.”

We must never lose sight of this primacy of the Sakti – in the last analysis, of the Divine Woman and Mother – in tantrism and in all the movements deriving from it. It is through this channel that the great underground current of autochthonous and popular spirituality made its way into Hinduism. Philosophically, the rediscovery of the Goddess is bound up with the carnal condition of Spirit in the kali-yuga. Thus the tantric writers present the doctrine as a new revelation of timeless truth, addressed to the man of this “dark age” in which the spirit is deeply veiled under the flesh.

Tantra is antiascetic and antispeculative. “Donkeys and other animals wander about naked, too. Does that make them yogins?” – Kularnavatantra.

In some tantric schools, contempt for asceticism and speculation is accompanied by complete rejection of all meditation; liberation is pure spontaneity. Saraha writes “The childish Yogins like the Tirthikas and others can never find out their own nature… One has no need of Tantra or Mantra, or of the images of the Dharanis — all these are caused of confusion. In vain does one try to attain Moksa by meditation… All are hypnotized by the system of the jhanas (meditation), but none cares to realize his own self.” Again, another Sahajiya author, Lui-pa, writes: “What use is meditation? Despite meditation, one dies in pain. Give up all complicated practices and the hope of obtaining siddhis, and accept the void as your true nature.”

Viewed from outside… tantrism would seem to be an “easy road,” leading to freedom pleasantly and almost without impediments.

“No one succeeds in attaining perfection by employing difficult and vexing operations; but perfection can be gained by satisfying all one’s desires” – Guhyasamajatantra

…all contraries are illusory, extreme evil coincides with extreme good. Buddhahood can – within the limits of this sea of appearances – coincide with supreme immorality; and all for the very good reason that only the universal void is, everything else being without ontological reality.

But the “easiness” of the tantric path is more apparent than real… The fact is that the tantric road presupposes a long and difficult sadhana, which at times suggests the difficulties of the alchemical opus.

… the void (sunya) is not simply a “nonbeing”; it is more like the Brahman of the Vedanta, it is of an adamantine essense, for whch reason it is called vajra (=diamond). “Sunyata, which is firm, substantial, indivisuble and impenetrable, proof against fire and imperishable, is called vajra.” (Advayavajra-samgraha).

For tantric metaphysics, both Hindu and Buddhist, the absolute reality… contains in itself all dualities and polarities, but reunited, reintegrated, in a state of absolute Unity (advaya).

The creation, and the becoming that arose from it, represent the shattering of the primordial Unity and the separation of the two principles (Siva-Sakti, etc); in consequence, man experiences a state of duality (object-subject, etc.) — and this suffering, illusion, “bondage.” The purpose of tantric sadhana is the reunion of the two polar principles within the disciples own body. “Revealed” for the use of the kali-yuga, tantrism is above all a practice, an act, a realization (=sadhana)…

From (from Yoga: Immortality and Freedom by Eliade)

Tripurasundari

I invoke the devi Tripurasundari, mahavidya of Lalita

Goddess of Beauty and Play and Love and Joy!

Let us invoke the sweet smelling one!

Naked, with fiery green eyes and golden skin, hair aflame in crimson light

Her arms granting boons and dispelling all fear.

Her naked body marked with blood and ash,

Her heart aflame with passion and fire!

Aom!  I salute the beautiful one of three worlds!

Jai Devi! Jai Tripurasundari!

Obeiassance to the Lotus eyed one of sweet nectars, Jai Pankajakshi![1]

Aom!  With incense of sandal I salute Thee!  Jai Devi!

Aom!  With lights I salute Thee!  Jai Istadevi![2]

Aom!  With water I salute Thee!  Jai Sarvagata![3]

Be favourable to me, oh blossom honey of light!

Grant thine aid unto me, that I may come to rest

in your sweet smelling presence, Jai Shrimati![4]

With sandalpaste, ash, sindur and water I am marked

to your devotions, oh Vibhutidevi![5]

With the bijamantra HRIM I invoke Thee!

AOM HRIM HRIM HRIM!

Jai Tripurasundari!  Jai Lalita!  Jai Devi!

Oh, Mandayanti[6], grant me Thy grace!  Give me of Thy milk to drink!

Oh, Jayesvari[7], inform me with Thy blood kissess!

Let Thy brilliant light shine through me, fullfilling me of Thy divine embrace!

Jai Sadhya!  Jai Sadhwi!  Jai Sara!  Jai Savitri![8] Aom!

Aom nama Tripurasundari!

Aom HRIM HRIM HRIM!

Jai Istadevi!

Aom!


[1] (Pankaja “mud born, lotus” + akshi “eye”) The lotus eyed.

[2] One’s chosen goddess (“beloved goddess.”)

[3] (sarva “all” + gata “having gone”) Having pervaded all, having reached everywhere.

[4] (shri “beauty, light, wealth” + mati “having”) Having beauty and fortune, the beautiful.

[5] Glory, might, wealth.  Consecrated ash used by devotees of Shiva.  Also the 6th of Lalitas 108 names.

[6] Delighting, rejoicing.

[7] (jaya “victorious” + iswara “sovereign goddess”).  The victorious goddess.

[8] Sadhya, “the attainable,” a name of Lalita.  Sadhwi, “the virtuous.”  Sara, “the Essence.”  Savitri, the consort of the Sun.

[March 1998]

The Star Ruby

First appearing in print with the publication of the Book of Lies in 1913 e.v., the Star Ruby (chapter 25 of Liber CCCXXXIII) was described by Crowley as a “new and more elaborate version of the Banishing Ritual of the Pentagram.” Disciples at the Abbey of Thelema in Cefalu performed the ritual as part of their daily practices, along with Will and Liber Resh. The ritual was later modified somewhat and released in 1929 e.v. as an appendix of Magick in Theory and Practice (Book4: Part III), where Crowley also noted in chapter 13: “It is usually sufficient to perform a general banishing, and to rely upon the aid of the guardians invoked. Let the banishing therefore be short, but in no wise slurred – for it is useful as it tends to produce the proper attitutude of mind for the invocations. ‘The Banishing Ritual of the Pentagram’ (as now rewritten, Liber 333, Cap. XXV) is the best to use.” 

Built up from the traditional Lesser Pentagram Ritual of the Golden Dawn (see Liber O vel Manus et Sagittae, section IV), while similar in some aspects, the Star Ruby also has many significant differences in its structure; for example, using Greek instead of Hebrew intonations; similarly, while its predecessor is suitable for both invoking and banishing elemental forces, the Star Ruby is exclusively a banishing ritual – and a truly thorough, focused, and exceedingly powerful one. The rituals do build upon one another, and it has been found beneficial in my experience to first master the older form before working with this new and improved ritual.

The ritual opens with the establishment of the divine form of Hoor-paar-kraat in the operator, as he assumes the Sign of Silence. The successfully establishment of this form and condition of consciousness is central to the remainder of the ritual, for it establishes within the magician the center of authority within as the “still, silent self” of the Divine Child Harpocrates, a symbol of the Holy Guardian Angel that is effectively known and experienced as the True Will. From this center of Silence, the calm depths of true power, lying timeless in eternity, we now move into action. The lightning flash of Will is invoked to banish by fiat with a “great sweep” of the right hand “down and out, expelling forcibly thy breath” the words Από πάυτως κακοδαιμουος (“away every evil spirit.”).

The qabalistic cross section of the ritual invokes the solar-phallic regency of God in all glory and majesty:

With the same forefinger touch thy forehead and say ΣΟΙ, thy member, and say Ω ΦΑΛΛΕ, thy right shoulder, and say ΙΣΧΥΡΟΣ, thy left shoulder, and say ΕΥΧΑΡΙΣΤΟΣ then clasp thine hands, locking the fingers, and cry ΙΑΩ.

In the sparse notes to the ritual given in Liber 333, Crowley informs us in a footnote to the phrase Ω ΦΑΛΛΕ  that the“secret sense of the words is to be sought in the numeration thereof.” The isopsephy of this injunction to the solar-phallic creative God has a value of 1366, which is identical to that of κτεις (535) + φαλλος (831), or yoni + lingam. Another phrase with this same value is η φωνη, “the voice.” Thus visualizing oneself standing as a radiating erect column of light, crying out in Greek words which may be translated“Thy, O Phallus, Mighty, Beneficient, IAO!” the creative and irresistible universal currents of Love, Life and Liberty are invoked.

The ritual then proceeds to the establishment of the quarters, with a flaming pentagram visualized at the forehead and cast forth into each cardinal quarter with the forceful Sign of the Enterer. The older form of the ritual from Liber 333 uses the formula of יהוה in descent around the perimeter of the circle as the magician moves widdershins, so that to the East is associated Fire and the Lion Kerub; to the North is Water and the Eagle Kerub; in the West, the Kerub of Man and Air; and finally in the South the element of Earth and the Bull Kerub. The characteristic vocalization of each Kerub is used to project the name out into the quarter: the roar of the Lion, the scream of the Eagle, the voice of Man, and the bellowing of the Bull.[1]

The circle being completed, the magician returns to the center of the circle and raises “thy voice in the Paian” invoking Pan under the starry dome of Night, and giving the Signs of N.O.X. in such a way as to show the progression up the Tree of Life and across the Abyss. Then the magician, standing in the radiant form of the solar-phallic cross, calls forth the guardians of the quarters and the effulgent ensigns of the Pentagram and Hexagram. The guardians called forth in this ritual are not those of the Hebraic Archangels as in the Lesser Ritual of the Pentagram; rather, the Star Ruby appears to be working with beings that first find their description in the Neoplatonic accounts of Proclus.

The rite then concludes with the Qabalistic Cross again, followed by the banishing by fiat.


[1] These names and vocalizations would be changed in the later version of the ritual, using Therion, Nuit, Babalon and Hadit instead. The later form is more in alignment with the structure of Liber V vel Reguli.

[written September 2003]

The Hexagram Ritual

Originally restricted to the use of Adepts of the Ordo Roseae Rubeae et Aureae Crucis (“Order of the Ruby Rose and Golden Cross), the secret Second Order of the Hermetic Order of the Golden Dawn, the ritual of the Hexagram saw the light of day with Crowley’s exposure of the Golden Dawn rituals throughout the serialized Equinox. With many subsequent exposures of the Golden Dawn’s curriculum, the ritual of the Hexagram has a much wider audience and is now common knowledge, if not use, among many magicians. One can buy a variety of books, ranging dramatically in quality, to find amongst the arcane exposed gnosis the Lesser and Greater Rituals of the Hexagram.  Yet, despite this, the ritual remains somewhat obscure to most. While the Pentagram rites are now ubiquitous amongst magicians both seasoned and new, the formula of the 6-fold star remains more mysterious, even allusive.

The Hexagram or Macrocosmic Star is a reflection in geometric form of the unity between the Divine and Human. As a talisman of the unity of consciousness and polarities (“As above, so below; as within, so without”), its’ six points are associated with the classical planets as delineated on the Tree of Life, with our radiant Father Sol placed in the center.  Of the figure of the Hexagram, Papus tells us:

“The triangle pointing up represents all that ascends, it is particularly the symbol of fire, of heat. The one with the point down represents all that descends, it is especially the symbol of water, of humidity. The union of the two triangles represents the combination of heat and humidity; of the sun and the moon. It symbolizes the principle of creation, the circulation from heaven to earth. This figure gives the explanation of Hermes’ words in the Emerald Tablet: ‘It goes up from the earth to heaven and, vice versa, it goes down to earth and receives the force of superior and inferior things. ‘”

Unlike the Pentagram rituals, which are elemental and far wider in application, the Hexagram rite was originally designed for the Adept of the Golden Dawn, and contains symbolism based upon their reception into the Second Order. The Signs of L.V.X. which open and close the rite are the symbolic gestures by which the Adept attuned to the forces of the Tiphareth as the Sun of the Soul, a representation of the GOD-MAN or homo superior, being the keys by which the symbolic Vault of Christean Rosenkreutz was opened. The Analysis of the Key Word I.N.R.I. were a further reflection on the cycle of life as represented by the Sun, as well as that interior luminary which serves the the Lamp of the Magus. The six points of the figure are attributed to the 6 classical planets in their order as given on the Tree of Life, with the radiance of Our Father Sol in the center. Each planet in turn may be associated with the inner centers of spiritual force, the chakras of the Hindus, as well as with Zodiacal influences. And so we see that the symbol is at once a reflection of the living Truth of the Emerald Tablet; once again, “as above, so below.”  The planets in their movements in the heavens are reflected in the interior centers of force in our psychospiritual makeup.

Through geometric Kabbalah the six-pointed figure is associated with the sixth sephira on the Tree of Life, Tiphareth, the “interior sun” of the magician.  As a symbol of union, the macrocosmic star represents the union of the magician with the Holy Guardian Angel. The interplay of extremes such as fire and water, light and darkness, Will and Love, symbolized by the union of the two triangles, all reflect on the nature of that attainment. As such, a full understanding of the Star of the Macrocosm may be found within the heart of the magician herself, as a reflection of the Truth of which we are all an expression.  Where the 5 points of the pentagram show the aspiration towards the divine with an equilibrium of elements and a seeming craving for the radiant L.V.X., the hexagram expresses the brilliant fire of the Gnostic Sun surrounded by six centers of force in perfect equipoise. One may enter the true Vault of the Adepts by apprehension and application of this symbol in the life of the magician.

“He that hath the knowledge of the Microcosm, cannot long be ignorant of the know­ledge of the Macrocosm. This is that which the Egyptian industrious searchers of Nature so often said, and loudly proclaimed‑‑that every one should KNOW HIMSELF. This speech their dull disciples (the Greeks) took in a moral sense, and in ignorance affixed it to their Temples. But I admonish thee, whosoever thou art, that desirest to dive into the inmost parts of Nature, if that which thou seekest thou findest not within thee, thou wilt never find it without thee. If thou knowest not the excellency of thine own house, why dost thou seek and search after the excellency of other things? The universal Orb of the world contains not so great mysteries and excellences as a little Man, formed by God to his own Image. And he who desires the primacy amongst the students of Nature, will no­where find a greater or better field of study than himself. Therefore will I follow the example of the Egyptians, and from my whole heart, and certain true experience proved by me, speak to my neighbor in the words of the Egyptians, and with a loud voice do not proclaim: O MAN, KNOW THYSELF, in Thee is hid the Treasure of Treasures.”

— The Center of Nature Concentrated; or, The Salt of Nature Regenerated, Alipili

[written September 2003]