13 Dimensional Art

It was Nietzsche  that said “when you gaze long into an abyss the abyss also gazes into you.” (Beyond Good and Evil).  Mystics and adepts of western esoteric traditions have long been aware of this principle, although rarely have individuals taken their path to such visceral levels, emphasizing instead the LVX of the Tree of Life and the dayside or Solar mysteries of the Holy Guardian Angel.  This is the beginning of the path.

Once armed at all points, the journey to the depths of existence must commence in earnest. Certain advanced occult groups and individuals have made the exploration of the Void their focus; due to the very nature of such work, they tend to function as specialized cells forming secretive networks of travelers and explorers across space and time. For such, the distant stars and endless gulf of space are a matrix of time travel and indeed the very face of the Abyss, looking within.

The tantriks of Vajrayana and Hindu Vamamarga traditions have opened gateways to the Beyond and looked deep past frontiers of the known into that primal radiant darkness. In the cremation ground sadhanas of the Dark Goddess, the extra-temporal eternity of the Kalachakra, and the eternal presence of Dzogchen are embodiments of this secret tradition.

It is the artist perhaps that most directly opens to these grand vistas, and has the capacity to communicate what thy have experienced on the other side. Whether with visual, musical or poetic, the artist cohabitates most intimately with that nameless Void. As with the myth of Prometheus, stealing fire from the Gods and bringing it back to humanity, the artist travels to such realms of the empyream as are only glimpsed fleetingly by dayside consciousness. The artist conquers their fear and hesitation, leaping forward into the Unknown, and brings back such dark fruits as their capacity will permit.

One such artist working today is Malvika Jay. Her 13 Dimensional Art project is described by the artist as “(awakening) Fantastic, metaphysical and surrealistic subject matter, kaleidoscopic, fractal or paisley patterns, bright and/or highly contrasting colours, extreme depth of detail or stylisation of detail.” I would go further and say that what she has managed to convey oftentimes defies the minds capacity to analyze and label. The shadows drip like liquid light into vaguely recognizable forms, then again dissolve before your eyes only to recombine again into something else, something other. The closer you look, the more you realize that what was initially familiar is truly otherworldly, as new connections, new shadows radiate out into a spectrum of color that is not of this earth. This work is alive, and breathing, and right in front of your face. Even should you look away it is too late, for it has met your eyes and continues to stare deep into your soul, long after the visual image has subsided.

Do check out her ongoing magick that acts as gateways to other dimensions, time travel, extra-terrestrial and multi-dimensional entities, non-euclidean visions… Come close and warm yourself by the Fire she has stolen from the Stars. Look closely; you will be forever changed by what you see looking back at you.

13 Dimensional Art

 

 

 

 

Aleister Crowley

December 1st is the anniversary of Aleister Crowley’s death (1875 – 1947) at the age of 72. I have a great deal of respect for his work and legacy, as the philosophy of Thelema that he grounded in The Book of the Law has  formed the basis of my own path for over two decades.

Crowley was fond of incredibly spicy curries, and one of his last requests was that his close friends remember him on the first anniversary of his death by sharing in a meal hot curry. That was duly accomplished when Gerald Yorke (arguably Crowley’s greatest archivist) and Lady Frieda Harris (the celebrated artist of the Thoth Tarot ) and others met for dinner.

I have kept up this tradition myself for many years now, and will be enjoying some spicy curry with loved ones this evening as I give thanks to the Old Man and his legacy.

The Old Man

HYMN TO PAN

ephrix erõti periarchés d’ aneptoman
iõ iõ pan pan
õ pan pan aliplankte, kyllanias chionoktypoi
petraias apo deirados phanéth, õ
theõn choropoi anax
SOPH. AJ.

Thrill with lissome lust of the light,
O man! My man!
Come careering out of the night
Of Pan! Io Pan!
Io Pan! Io Pan! Come over the sea
From Sicily and from Arcady!
Roaming as Bacchus, with fauns and pards
And nymphs and satyrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Come with Apollo in bridal dress
(Shepherdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautiful God,
In the moon of the woods, on the marble mount,
The dimpled dawn of the amber fount!
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantonness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain — come over the sea,
(Io Pan! Io Pan!)
Devil or god, to me, to me,
My man! my man!
Come with trumpets sounding shrill
Over the hill!
Come with drums low muttering
From the spring!
Come with flute and come with pipe!
Am I not ripe?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion and sharp as an asp —
Come, O come!
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All-devourer, all-begetter;
Give me the sign of the Open Eye,
And the token erect of thorny thigh,
And the word of madness and mystery,
O Pan! Io Pan!
Io Pan! Io Pan Pan! Pan Pan! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan! Io Pan!
Io Pan! Io Pan Pan! I am awake
In the grip of the snake.
The eagle slashes with beak and claw;
The gods withdraw:
The great beasts come, Io Pan! I am borne
To death on the horn
Of the Unicorn.
I am Pan! Io Pan! Io Pan Pan! Pan!
I am thy mate, I am thy man,
Goat of thy flock, I am gold, I am god,
Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks
Through solstice stubborn to equinox.
And I rave; and I rape and I rip and I rend
Everlasting, world without end,
Mannikin, maiden, Maenad, man,
In the might of Pan.
Io Pan! Io Pan Pan! Pan! Io Pan!

– Aleister Crowley

Evocation of ANODOIN

An oldie but goodie, written back in the 90’s. 

Evocation of ANODOIN

An evocation of ANODOIN, Mercury Senior
of the Great Southern Quadrangle of Fire

[The ritual is to be performed during the course of the Tejas tattva; that is, 48 minutes after sunrise (or in 2 hour increments after that time). The day should be Mercurii, or alternatively dies Solis. Luna should be full, or waxing.

Let the magician be robed as for his grade. At the center of the Temple is the black cubical altar, with Liber AL vel Legis placed at the center, and the Triangle with the Cross surmounting it on top. Also on the altar are the Censor and Incense, some coals, and the Cup of Purification, properly prepared. Incense should be Olibanum, or some similar fiery odour. To the South of the Temple is the Enochian Watchtower of Fire hanging from a stand, with a red votive before it. At the beginning, the tablet is covered in a red burse. The magus is armed with the Wand.]

STATEMENT OF PURPOSE

[Stand West of the Altar, facing East in silent meditation. When ready, begin thus:]

* This Ritual is an Invocation of ANODOIN, the Mercury Senior of the Great Southern Quadrangle of Fire.

OPENING

[ When ready, begin by purifying the Temple by water. Take up the Cup, and walk to the East:]

“For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect.”

[Purify E, S, W, N, walking about the temple as you do so. Complete circle in East, then return directly West of Altar, facing East.]

[Perform the Lesser Banishing Ritual of the Pentagram.]

[Take up the Censor, and walk to the East of the Temple:]

“I am uplifted in thine heart; and the kisses of the stars rain hard upon thy body.”

[Consecrate E, S, W, N, walking about the temple as you do so. Complete circle in East, then return directly to West of Altar facing East.]

[Perform the Lesser Banishing Ritual of the Hexagram.]

[Returning to the Altar, direct your aspiration to the Highest, and perform the Supreme Invocation of the Holy Guardian Angel.]

[Trace Ä in the air above Altarthen assume the Sign of Set-Triumphant while invoking with the Ib en Suti]

[Assume the Sign of Baphomet, and allow the connection with the Lord to take seat.]

INVOKING THE FORCES OF FIRE

[Perform the Greater Invoking Pentagram Ritual of Fire.]

* * * Let us adore the Lord and King of Fire! [Face South.] YOD HEH VAV HEH TZABAOTH! Blessed be Thou! Leader of Armies is Thy Name, Amen[Give Sign of Philosophus.]

[Quit the Throne and proceed to the South, before the Tablet of Fire. Unveil the Tablet (if all four are in the Temple, they should all be unveiled at this point). Make with Scepter, in the air before the Fire Tablet, the Invoking Circle; Invoking Active Spirit Pentagram; and Invoking Fire Pentagram.]

And the Elohim said: “Let us make Adam in our image, after our Likeness, and let them have Dominion.” In the Name of ELOHIM, Mighty and Ruling,  and in the Name of  YOD HEH VAV HEH TZABAOTH, Spirits of Fire, adore your Creator!

[Taking the Censor from before the Tablet, and making therewith the Sign of Leo in the air before the Tablet:] In the Name of MIKHÆL, Great Archangel of Fire, and in the Sign of the Lion, Spirits of Fire, adore your Creator!

[Making + with the Censor:] In the Names and Letters of the Great Southern Quadrangle, Spirits of Fire, adore your Creator!

[Elevates Censor on high:] In the three great secret Divine Names that are borne upon the Banners of the South, OIP TEAA PDOCE, Spirits of Fire, adore your Creator!

[Trace the invoking whirl:] In the Name of EDLPRNAA, great King of the South, Spirits of Fire, adore your Creator!

[Replace Censor. Return to station at East of Altar.]

In the Name YOD HEH VAV HEH TZABAOTH, I declare that the Spirits of Fire have been duly invoked. * * * * * * *

[The 6th Enochian Key:]

Gah s díu chis em micálzo pilzin sobam El harg mir babálon od obloc samvelg dlugar marprg arcaósgi od Acám canal sobólzar f-bliard caosgi od chis anétab od miam ta viv od d Darsar sol-peth bien Brita od zácam g-micálzo sob-há-ath trian Lu-iá-he odecrin MAD Q-a-a-on

INVOKING THE GREAT SENIOR

[Pause to confirm that the Tablet has been opened. Feel the invoked forces. Next, facing South, perform the Greater Invoking Hexagram Ritual of Mercury.]

[Again, pause to feel the invoked forces. Now begins the invocation proper of the Senior. Elaborate as felt necessary; however, they are without a doubt called simply by repeating their Name unde the regency of Our Lady:]

In the Name of BABALON, I call Thee forth:

ANODOIN [repeat as necessary.]

[Once invoked, announce who you are. Then, in the name of BABALON whom They love and adore, make your request of the Great Senior. State your request as clearly and as simply as possible.]

[When your communications are complete, thank him and bid him farewell. Next perform the formal Closing and License to Depart:]

CLOSING

The Prayer of the Salamanders or Fire Spirits.

Immortal, eternal, ineffable, and uncreated, Father of All Things, borne upon the eternally rolling Chariot of ever-revolving Worlds; Ruler of the Ethereal Vastnesses, where the Throne of Thy Power is upraised, from the summit of which thine awesome eyes disclose all, and thy beautiful and holy ears hearken to all: Hear Thou thy children, whom Thou hast loved since the birth of the Ages. For thy Majesty golden, vast, and eternal shineth, above the world and the Heaven of Stars. Above them art Thou exalted, O Thou Scintillating Fire! There dost Thou blaze and maintain Thyself by thine inherent Splendour, and from thine Essence flow forth inexhaustible Streams of Light which nourish thine Infinite Spirit. This Infinite Spirit nourisheth all things, and maketh that Inexhaustible Treasure of itself to the Forms with which Thou most Holy Kings who art about thy Throne, and who compose thy Court, O Universal Father! One and Alone! O Father of blesséd mortals and immortals.

Thou hast specially created Powers which are marvelously like unto thine eternal Thought and unto thy venerable Essence. Thou hast established them above the Angels, who proclaim they Will unto the World. Lastly, Thou hast created us third in rank within our Elemental Empire. There our continual practice is to praise Thee and to adore thy desires. There, we burn unceasingly, aspiring to possess Thee.

O Father! O Mother, the most tender of mothers! O wonderful Archetype of Maternity and of Pure Love!

O Sun, the flower of all Sons! O Form of all forms, Soul, Spirit, Harmony, and Number of all Things! Amen!

[Before Tablet, perform the Banishing Mercury Hexagram; Banishing Fire Pentagram; Banishing Active Spirit Pentagram; and Banishing Circle.]

Depart ye in peace unto your abodes and habitations. May the blessing of ELOHIM be upon you. Be there ever peace between us; and be ye ready to come when called. *

[Veil the Fire Tablet. If all Tablets are in Temple, they should all be veiled at this point.]

[Perform the Lesser Banishing Ritual of the Pentagram of Fire.]

In the Name of YOD HEH VAV HEH TZABAOTH, I declare this Temple closed in the element of Fire, and this rite concluded. *** * ***

art

The walk around an art gallery is a rather dismal affair after all; the spectator moves, the picture remains motionless, dead memories of vital moments… Yet art, in the true and vital sense, is an instrument, a magical machine, a means of occult exploration which can project the seer into the realm of the Unseen, and launch the waking mind into the seas of subconsciousness” – Outside the Circles of Time, Kenneth Grant