Ladies and Gentlemen, the amazing artwork of the entity known as Joseph Curwen. Enjoy!
The Llewellyn Magick Update with my article, and lots of other good stuff, now available!
Received my proof copies of The Magickal Union of East and West today!
The first 50 pages of the Magickal Union of East & West are now available for browsing via the Llewellyn Worldwide website. You are also able to pre-oder both the physical and electronic editions of the book via various sites. Contact your favorite book dealer and let them know you want to reserve your copy today!
From Michael Staley’s essay The Fool:
“Initiation is not a matter of swallowing wholesale what this, that or the other illustrious person has said at some time or another, but of making it real, of arriving at your own understanding. We take influences from diverse sources, whether it be Grant, Crowley, Spare, Blavatsky, Gurdjieff, Ramana Maharshi – to name but a few – and synthesise their work via the catalyst of our own experience, creating thereby an understanding and a body of work that is intrinsic to us. People who come after us will do likewise, again from a diversity of sources. In this way, knowledge and experience is passed down, and this is one meaning of parampara or spiritual lineage. ”
Could not have expressed it better. This sums up my approach to the Mysteries, and explains the diverse range of influences that have gone into my own work.
The Magickal Union of East & West, The Spiritual Path to New Aeon Tantra explores the fruit of some of this work.
O Kali, Thou art fond of cremation grounds;
so I have turned my heart into one
That thou, a resident of cremation grounds,
may dance there unceasingly.
O Mother! I have no other fond desire in my heart;
fire of a funeral pyre is burning there;
O Mother! I have preserved the ashes of dead bodies all around
that Thou may come.
O Mother! Keeping Shiva, conqueror of Death, under Thy feet,
Come, dancing to the tune of music;
Prasada waits With his eyes closed
The fine people at POLARIS (People Offering Light, Assistance & Resources In Spirit) conducted an interview with me, check it out and the rest of their site here:
“The mantras that form the girdle and necklace of the Goddess, the sacred garland of letters which form her secret names are known only to Initiates. It has been said that all mantras, originally, were words or sounds uttered by the entranced suvasini, hence great care was (and is) taken to note down exactly what escapes her lips during the critical stage of the rite. […] Not only were her most casual words revered as mantric, her gestures also were regarded as sacred mudras indicative of the power with her and of the state of tumescence she had attained.” Kenneth Grant, Cults of the Shadow
The pre-order page is up and running. Get your discounted orders in ahead of time!
This is taken from a colleagues post elsewhere:
One of my mentors paraphrases Siva Sutra 3.13 this way: “A Siddha lives in total freedom.”
My mentor comments further: The state of a Siddha is the state of freedom.
For the embodied soul there are only two possibilities. One is the state of bondage in which he loses the awareness of his nature, his glory, his power of understanding, and becomes contracted. He feels, “I am small, I am a sinner, I am subject to birth and death.” His own outlook is the thing that shrinks him day by day. As he meditates on and ponders his own limitations, he becomes completely bound.
The other possibility is the state of absolute freedom. By the grace of the Guru, a person’s inner Sakti is awakened through the process of shaktipat. Unfolding, his Sakti fills him with consciousness, and he is gradually freed from cravings and desires, the pull of the sense organs, and from all limited states. He achieves total union with the supreme Self.
A person who has achieved mastery over his senses and their objects is called a Siddha. One who sees this world, which the ignorant experience as full of sorrow, to be the outer sport of Parasakti is a Siddha. One who has risen above the three bodies and their corresponding states is a Siddha. One who has rid himself of notions of acceptance and rejection and has burned away the imaginary distinctions of virtue and sin, enjoyment and liberation, worldliness and spirituality in the fire of inner knowledge is a Siddha. That great soul regards all the thoughts that arise within him, whether good or bad, as the stirrings of the Self. One who has become the universe, the Lord of the universe, and the Soul of the universe; one who is his own path and his own destination; one who is fully active and yet supremely inactive; one who is aware “I am Siva” – he is a Siddha.
So ends the commentary.
Who is this astonishing feminine presence
dancing in the universal field of battle?
Truly naked, eternally sixteen,
with magnificent dignity she stands
on the breast of Absolute Reality
that assumes the aspect of snow-white Shiva,
his body also naked truth
as he sleeps in supernal contemplation
All blood ever shed in sacrifice or conflict
streams down her brilliant black limbs
like crimson blossoms floating on dark waters.
Her face is diamond bright, clearer than the full moon.
Infinite wisdom energy pulsates
through her mysterious blackness.
Her powerful wisdom laughter
awakens and heals,
flowing in wave after wave of sweet nectar.
This poet is overwhelmed,
singing with tears of rapture:
“Those who long for conscious union with reality
should meditate with constancy
on the dark blue lotus feet of Kali,
enshrined in the secret heart of humanity,
ensuring the liberation of all finite beings
from the illusion of finitude.”
hung orgyen yul gyi nubjang tsam
Hūṃ! In the north-west of the land of Oḍḍiyāṇa,
pema gesar dongpo la
In the heart of a lotus flower,
yatsen chok gi ngödrub nyé
Endowed with the most marvellous attainments,
pema jungné shyé su drak
You are renowned as the ‘Lotus Born’,
khor du khandro mangpö kor
Surrounded by many hosts of ḍākinīs.
khyé kyi jesu dak drub kyi
Following in your footsteps,
jingyi lab chir shek su sol
I pray to you: Come, inspire me with your blessing!
guru pema siddhi hung
These are images from a few of the monasteries in Nepal, where the Buddhist dharma has taken deep root in the Himalayan villages.
More on the invocation of Guru Padmasambhava may be read here.
The dance of tantra is the dance of maya; a dynamic microcosm of life with the panchatattva elements each symbolizing not only parts of our daily life and body, but the primordial elements, the building blocks of the universe. This dance of life will not fit into expectations or preconceived notions; while there may be general guidelines, the nature of this path is that it is unpredictable.
Tantra, whether Kaula or Vajrayana or beyond, is a dance and interplay of energy. At the heart of this energy is the void, Nuit. This is the same Heart of Thelema, a complex philosophy that embodies a western Tantra with the Great Void at the very core of the idea of True Will.
Dzogchen or Atiyoga is considered beyond even the tantras, informing them with their radiant sunyata. In the tantra of Thelema this void or primordial creatrix is called Nuit, the Goddess of Infinite Space and Infinite Stars. This is the reality of the present moment, and the identification that cyclic existence and nirvana – or the radiant pristine awareness of consciousness – are indeed identical, that in fact there is and has never been a separation of these “states” but only a veil (compare “the khabs is in the khu”,Liber Legis I:8) to this preeminent Awareness.
All paths, all gurus, all means, all obligations resolve into One at the level of awakening to the presence of primordial state, free from all limitations and conditioning . The “differences” are skillful means, in order to present as many opportunities as possible to different types of personalities and methods of learning. It is from this resting in the primordial state that natural compassion arises.
The means “pass and are done,” but there will always be “that which remains,” that inexhaustible, incorruptible, primordial Awareness (Liber Legis, II:9)
An insightful new post from Phil Hine on the Holy Order of Krishna – do check it out!
During a trip to Sedona, AZ I picked this up at one of the many Vortex crystal shops around the area. According to the label that came with the stone, moldavite was said to have some remarkable properties:
- extraterrestrial origin
- very rare stone
- high vibration
- Ascendant Master
- connects to Akashic Records
- opens to receive spiritual guidance
- useful for sensitive people and star children
- aligns the chakras
Now I must admit to being ignorant of the meaning of some these attributes (what are “star children” for example?). Still, I was intrigued and enjoying the peaceful and mystical atmosphere of Sedona, so I took the stone into my left palm (as the left hand is generally passive and absorbing of energy inward, in contrast to the right hand which projects dynamic energy outward).
I felt an immediate affinity for the moldavite, as consciousness opened up and expanded seemingly into space. The sensation of coolness was unmistakable, and an open expanse of space and stars. I spent a good minute in the Vortex Crystal shop just “spacing out” while I held the small green piece of rock, much to the pleasure of the shop keeper!
The moldavite now rests on my shrine. I hold it in the palm of my left hand when performing mantra japa, and find that it helps to affirm a sense of openness and expansive consciousness. What better way to fly with the sky dancers in their own natural habitat then to lift off with them into space!
The twelfth chapter of the Chandi Path (more fully called the Devi Mahatmayam or Durga Saptashapti) elucidates the many benefits deriving from the joy of celebrating the Great Goddess in her form of Durga. Holding that Devi in your heart and approaching her with love, she naturally bestows her grace and blessings. Let the Goddess herself be your guide and guru, inviting her into your heart.
It also may be used to consecrate and activate mantras that may need to be “woken up” or blessed by the Goddess herself. Be certain that you approach her with love and a pure motivation, and that your use of the mantra is in accord with True Will. In this day and age, when self proclaimed gurus abound and the vidya is becoming increasingly popular and diffused from the point of origin (the Goddess herself!), it certainly does not hurt to reconnect to the source behind the mantra, and allow that great Shakti to irradiate it with life, love, and power. Continue reading “Awakening mantras”
Victory to Kali, the Goddess Who Dwells in the Void!
your black eyes
pulling me into you
there is nothing in the universe more beautiful than you
Jai Kali, Shunya Vasini Devi!
Founded in 1905 by Dr. T. R. Sanjivi in Tinnevelly, South India with “the sole purpose of educating people to culture the light that is latent in one and all,” the Latent Light Culture and its inner order The Holy Order of Krishna teach practical yoga methods based of an esoteric and initiated interpretation of the Bhagavad Gita.
The founding material of the organization from the 1920’s is attributed to the mysterious author “Bhikshu”, and contains a strong influence of Thelema and the writings of Aleister Crowley mixed in with the initiated tantrik teachings of the Gita.
A few excerpts:
“Act Thou, therefore, when opportunity confronts you; responding to it, meeting it bravely, utilising it, actively. ‘Do what thou wilt’, say the Masters, ‘Shalt be the whole of the Law,’ of Dharma of Karma — only he who doeth is the Karmi; he who wills to do and doeth is the Karma Yogi; the Deed is the Karma, his future, his Destiny the harvest of his Thoughts and Acts. Your Deed is the expression of your will, the will in you; say then to yourself ‘I Will’ and Act. So acting shalt thou not sin, says the Lord Krishna.”
“In this then shall be the Ordinanace (Sastra) for you Karma Yogi, in the dictum of ‘Do what thou wilt’ which shalt be for thee the whole of the law, teaching you comprehensively what to do, what to avoid, this the only ordinance; ‘do what thou wilt, then do nothing else’; we shall repeat it constantly, without end, that you may be unified of will, that in all your act you may bring all the universe that is of you, that in your act the whole of you and not the puny portion of you miscalled ‘I’ at the threshold, at the outer gate of consciousness, may act, and impress itself on the even that anyhow must be.”
“The first and greatest of all priveledges is to have accepted the Law of the Gita: Yatha Ichchhasi Tatha Kuru (Do What Thou Wilt) – to have become free and independent and to have destroyed all fear, whether of custom, faith, of other men and of death itself. “Fear not at all, fear neither men, nor fates, nor gods, nor anything. Money fear not, nor the laughter of the frivolous folk nor any other power in heaven, upon the earth or under the earth.”
– From the grade paper of the First Degree of the Holy Order of Krishna.
Sadly the organization today seems to shy away from the more esoteric traditions that it was founded on, although the grade papers still show influences of Thelema. Deeper material such as the ritual magic of the Sri Vidya encoded into the Ananda Lahari (the Wave of Bliss, which consists of the first 41 verses of the Soundarya Lahari) is mixed in with a new spiritual interpretation of the Gita.
Reflecting on the idea of the usual roles between sadhaka and Devi reversing themselves (see my earlier post), it brought to mind the manifestations of bhava that occur in devotees of the Goddess (often arising from bhakti). This is very much a type of possession, where the Devi experiences through the body and senses of the individual.
June McDaniels excellent study Offering Flowers, Feeding Skulls: Popular Goddess Worship in West Bengal is highly recommended in this regard. An excerpt:
One form of spontaneous possession is found more frequently in practitioners of tantra and bhakti yoga. This is colloquially called bhava, short for devabhava (a general term for divine state or state of unity with a deity) or bhavavesha (the state of being overwhelmed or possessed by bhava). Bhava combines possession and devotional love, allowing the possessed person to retain consciousness in the midst of the goddess’s power and presence. It shows intense love of a deity, and a person’s humility and willingness to submit to the goddess.
Bhava is a tangible gift of the goddess, for as She manifests in the devotee they experience the divine bliss of Her presence in their very body. As the Shakta poet Ramprasad wrote, “Whoever gazes upon this radiant blackness falls eternally in love.”
om mahakalyai ca vidmahe smasana vasinyai ca dhimahi tanno kali pracodayat
(“Om we contemplate on the Great Goddess who takes away Darkness, we contemplate She Who Resides in the Cremation Grounds, may that Goddess direct!”)
Jai Kali Maa!
April 8, 9 and 10 are important milestones in the tradition of Thelema, marking the grounding of Liber AL vel Legis, the Book of the Law. This book is the first great Western Tantra, ushering in a new era of awakened consciousness for those that choose to consciously step forward into the morning light of the New Aeon.
The Tantras however appear and disappear according as they are revealed or withdrawn. Their authority does not depend on the fact that they were published to men on a particular date but on the Siddhi to which they lead; that is, the actual result flowing from them. This result proves the authority of the Tantra even though it were revealed yesterday.
The rewards of working with this direct path to realization are manifold and unique to every individual that comes to know and fulfill the True Will.
May all sentient beings, boundless as the sky, have Real Peace, Real Freedom and Real Happiness!
Her eyes are black
and infinity stares into me from them
Her red lips are parted in a smile,
showing her brilliant white teeth
and her red tongue hanging out with intoxication
of celestial love
I am drunk on you
before even first tasting the patra
I am drunk on your love
the blood from your lips
is honey in my mouth
warm and coruscating though every part of my body
my heart is a burning ground
where I love you
I give myself to you completely
your name is ecstasy to me
every syllable, every letter
drips nectar into my soul
in union with you
everything is Bliss
the doorway to that radiant Night
the mirror of that infinite kiss
releases lies of separation
take my head, Kali!
drink deep my blood that I may be with you
this bliss is an outer garment
a play a dance a song
of your radiant eternal night
Generally speaking, the sadhaka will be placing life into the murti on the shrine with prana pratishta after a series of ritual acts of purifying and energizing your body. The elements are purified and activated with bhuta shuddhi. The energetic levels are equilibrated with pranayama. Mantras and accompanying mudras are given. Light, incense, water, flowers, the very Self is presented as offering. The divine aspect is projected out with the breath into the statue, often onto a flower either physical or visualized; the cold statue becomes divinized, the Goddess is present, and worshipped accordingly.
That is not what is happening. Continue reading “I am Her murti”
June McDaniel’s The Madness of Saints: Ecstatic Religion in Bengal gives a detailed explanation of the contrast between the traditional and formal approach of the right hand path, and the truly bacchanalian and chaotic spontanaity of the left hand:
The path of progression is associated with Jame’s lysis or gradual approach. It emphasizes order and harmony, and the divine is reached by self-control and obedience. The god is most present in the greatest purity — of self, of place, of statue. Such purity involved loyalty to lineage and tradition, acceptance of hierarchy and authority, and ritual worship and practice. Ecstasy is attained by faith and learning, by acceptance of dharma, and avoidance of siddhis (powers) and self-glorification. Such a path is yogic and devotional, and called in Bengal sastriya dharma, the path of scriptural injunctions.
The path of breakthrough is associated with Jame’s crisis, or abrupt change. It emphasizes chaos and passion, and the divine is reached by unpredictable visions and revelations. The presence of deity is not determined by ritual purity — the god may be found in pure situations, but also at the burning ground, at the toilet, in blood and sexuality, in possessions and ordeals. Initiation and lineage do not determine experience — often there is a “jumping” of gurus — where different gurus are followed at different times. The criterion of status is neither yogic knowledge nor ritual skill, bur rather bhava, the ecstatic state that comes with experience of the divine. Such states are called sahaja (natural and spontaneous) or svabhavika (unique to particular individual). The path is more generally called asastriya, or not according to the scriptures.
While these two general approaches apply to the work as a whole, it is also interesting to note that in the tantrik sadhana and specifically with the ritual of panchatattva, both are combined. There is a lineage of instruction and ritual technique, which if persisted in deeply will transform into spontaneity and unpredictability. In this sense, the tantras have encoded into them the essence of developing spontaneous creativity as well as providing the means to forge the link to the true Guru. Tantra, followed sincerely and with all that one is, is a fast and direct path of realization that is unique to every person, while still growing out of known forms and traditions of lineage.
Michael Staley’s essay The Resurgance of Cosmic Identity (published in the Jeruslaem Press edition of Austin Osman Spare’s Book of Pleasure) is inspired and insightful. This part in particular struck a deep cord:
“When assessing the body of work of an adept of whatever means of expression — be it in the graphics arts, writing, or music — we should not expect always to find a steady progression with consistent themes and gradual development. Rather, we often find abrupt changes of direction: projects taken up and then lain aside, unfinished. This is because an adept -in whatever medium the genius is expressed – is driven primarily by currents of inspiration which are caught — often fleetingly — and articulated through his or her work. some of these currents of inspiration can lead to long and extraordinarily fruitful phases of work. Others yield little, either proving to be cul-de-sacs, or simply giving way to yet another inspiring current. Thus it is that in retrospect we can examine particular phases of the adept’s career, and wonder why some apparently fruitful line of working was dropped, or not fully developed. The body of work is living, abounding with loose ends, and open to further development by others.”
It is not enough to only preserve what has come before, as though it were some great commandment etched in stone and never to adapt or grow. Rather than sit tight, holding fast to “what has come before” and chanting the droll mantra “it has always been this way”, we should rise to the opportunity as the successors and heirs of the many great masters, to pick up the subtle threads and hints of their work and tend to them, developing new and often inspired works. Life is ever evolving and growing in new and often unexpected directions.
“Esoteric Buddhism teaches that Reality presents two aspects, one relative finite and conditioned, and one absolute, infinite and unconditioned. Seen with the eye of the unenlightenend being who is turned about on the wheel of existence these two aspects appear separate and irreconcilable, but to the Eye of the Buddha (butsugen) at the unmoving hub they are the inseperable facts of a single truth. In the partial view from the periphery all things are seen as transient and in momentary transformation, lacking an abiding self-nature; but in his total, all-encompasing view from the centre a Buddha sees that the imperfect, ephemeral and mutable dharmas merge with perfect, eternal and immutable Suchness (tathata, shinnyo). He sees that the world of fleeting, impermanent forms and the Buddha’s world of adamantine durability are non-dual.” – The Matrix and Diamond World Mandalas of Shingon Buddhism (Adrian Snodgrass)
From the tantrik commentary by Curwen (quoted in Beyond the Mauve Zone):mamsa still continues to be flesh; meena still floats like fish in the water by which it is surrounded; mudras are secrets to all but initiates and cannot be communicated ecept by word of mouth and face to face with the Guru; and maithuna alone can rejuvenate her after the exaustion of the Puja.
Grant continues:The wine or madhya is the urine of the Suvasini after the Fire Snake has absorbed the amrita or nectar of the ultimate chakra, Sahasrara. This nectar or soma is the ‘moon-juice’ of ancient Vedic lore. The flesh, mamsa, is the lunar emanation embodined in the menstrual fluid at a certain stage of its flow; and the fish (meena) is a secretion that swims in the waters of the lotus-pool. The maithuna is the mystical congress of Shiva and Shakti — Consciousness and its Power — in the Sahasrara Chakra.
[…]For the fully initiated Kaula Adept, the universe is a manifesation of perpetual joy, bliss, Amrita (deathlessness), from which he distils the elixir of immortality. Liber AL, today, echos his paen of rapture: Remember all ye that existence is pure joy; that all the sorrows are but as shadows; they pass & are done; but there is that which remains.
[…]The final bija, Krim, is the bija-mantra of Goddess Kalika, the hidden Principle of Creation described in the Ratrisukta as ‘Night.’ She it i who reveals the universe as a shadow (chaya). She is the reflex of all colours (kalas), Herself ‘without colour’; black. Yet is She the background of light, and the crescent (shashi-kala) on Her brow denotes that She is the originator of nada-bindu-kala, the trikona at the center of the Sri Chakra. When fully self-expressed She appears as Uma, with the glamout of the full moon, and is then known as Sri Vidya. Her essence, however, is always Ama (darkness). Uma (light) and Ama (darkness) are the twin poles between which flashes the vibration AUM. As Japa of the bija-mantras leads the Fire Snake progressively higher, do do the energies released in the lower chakras, bordering the subconsciousness, become increasingly active.
“As the western adept is required to have established contact with his ‘Holy Guardian Angel’ (in Tiphareth) before achieving initation into the Greater Mysteries, so the eastern chela has to have raised the Fire Snake to the Place of the Guru (Âjna chakra) with whom he renews contact in each incarnation in order to maintain continuity of magical consciousness in the waking-state. A further comparison: during sadhana, the Self (Atma) assumes an external form and appears as the Guru, or inwardly as the Angel. The Fire Snake also appears outwardly and assumes the form of the Suvasini or of the Scarlet Woman.”
I finally “got” Bagalamukhi, as a protector and warrior against all that distracts from the True Will and the Work. She and her retinue are fierce beyond all means. Waves of radiance and bliss from Union with Kali encircled by the fiery daggers of Bagala radiating outwards in all directions.
The panchatattva is ultimately kundalini. The symbols speak on multiple levels. Outwardly the Homa ritual; secretly the Panchatattva; in the Hidden Shrine the Fire Snake and her ascent up the chakras.
The dhuni or fire pit is the cremation ground. The cremation ground is the yoni of the goddess. This is in the Heart of the Master. The ashes of the flames are indeed the radiance of the kalas, the dew of light emitted from the wetness of the Goddess. Let that wetness direct (Tripura gayatri).
Victory to Kali, Victory to the Mother, the Savior of souls!
Salutations again and again
to the Devi who abides in all beings in the form of consciousness;
to the Devi who abides in all beings in the form of intelligence;
to the Devi who abides in all beings in the form of sleep;
to the Devi who abides in all beings in the form of hunger;
to the Devi who abides in all beings in the form of power;
to the Devi who abides in all beings in the form of modesty;
to the Devi who abides in all beings in the form of peace;
to the Devi who abides in all beings in the form of faith;
to the Devi who abides in all beings in the form of loveliness;
to the Devi who abides in all beings in the form of compassion;
to the Devi who abides in all beings in the form of contentment;
to the Devi who abides in all beings in the form of mother.
May that Devi, the Mother, who appears in the form of all things,
bring forth benefits for all who sing Her praises.
Shri Shankara said – Liquor, which is under a curse, is the form of the Absolute. Freeing it from the curse it becomes the Absolute itself, the supreme ambrosia. O Devi, it becomes like this by offering to Mahadevi.
From the 14th chapter of Shri Matrika Bheda Tantra (translated by Mike Magee)
Among the many meanings of the word tantra (root tan, “extend,” “continue,” “multiply”), one concerns us particularly – that of “succession,” “unfolding,” “continuous process.” Tantra would be “what extends knowledge” (tanyate, vistarayate, jnanam anena iti tantram).
We must reckon with possible Gnostic influences, which could have reached India by way of Iran over the Northwest frontier. For more than one curious parallel can be noted between tantrism and the great Western mysterio-sophic current that, at the beginning of the Christian era, arose from the confluence of Gnosticism, Hermeticism, Greco-Egyptian alchemy, and the traditions of the Mysteries.
It is noteworth that tantrism developed in the two border regions of India — in the Northwest, along the Afghan frontier, in western Bengal, and especially in Assam. On the other hand, according to Tibetan tradition, Nagarjuna was a native of Andhra in southern India — that is, in the heart of the Dravidian region.
… for the first time in the spiritual history of Aryan India, the Great Goddess acquires a predominant position… In Hinduism, the Sakti, the “cosmic force,” is raised to the rank of Divine Mother who sustains not only the universe and all its beings but also the many and various manifestations of the gods. Here we recognize the “religion of the Mother” that in ancient times reigned over an immense Aegeo-Afrasiatic territory and which was always the chief form of devotion among the autochthonous peoples of India.
But we also recognize a sort of religious rediscovery of the mystery of woman… every woman becomes the incarnation of the Sakti. Mystical emotion in the prsence of the mystery of generation and fecundity — such it is in part. But it is also recognition of all the is remote, “transcendent,” invulnerable in woman; and thus woman comes to symbolize the irreducibility of the sacred and the divine, the inapprehensible essense of the ultimate reality. Woman incarnates both the mystery of creation and the mystery of Being, of everything that Is, that incomprehensibly becomes and dies and is reborn.
A well known myth thus accounts for the birth of the Great Goddess. A monstrous demon, Mahisa, threatened the unverse and even the existence of the gods. Brahma and the whole pantheon appealed to Vishnu and Siva for help. Swollen with rage, all the gods put forth their energies in the form of fire darting from their mouths. The flames joined into a fiery cloud, which finally took the form of a goddess with eighteen arms. And it was this goddess, Sakti, who succeeded in crushing the monster Mahisa and thus saved the world.
Quoting Zimmer: the gods “had returned their energies to the primeval Sakti, the One Force, the fountain head, whence originally all had stemmed. And the result was now a great renewal of the original state of universal potency.”
We must never lose sight of this primacy of the Sakti – in the last analysis, of the Divine Woman and Mother – in tantrism and in all the movements deriving from it. It is through this channel that the great underground current of autochthonous and popular spirituality made its way into Hinduism. Philosophically, the rediscovery of the Goddess is bound up with the carnal condition of Spirit in the kali-yuga. Thus the tantric writers present the doctrine as a new revelation of timeless truth, addressed to the man of this “dark age” in which the spirit is deeply veiled under the flesh.
Tantra is antiascetic and antispeculative. “Donkeys and other animals wander about naked, too. Does that make them yogins?” – Kularnavatantra.
In some tantric schools, contempt for asceticism and speculation is accompanied by complete rejection of all meditation; liberation is pure spontaneity. Saraha writes “The childish Yogins like the Tirthikas and others can never find out their own nature… One has no need of Tantra or Mantra, or of the images of the Dharanis — all these are caused of confusion. In vain does one try to attain Moksa by meditation… All are hypnotized by the system of the jhanas (meditation), but none cares to realize his own self.” Again, another Sahajiya author, Lui-pa, writes: “What use is meditation? Despite meditation, one dies in pain. Give up all complicated practices and the hope of obtaining siddhis, and accept the void as your true nature.”
Viewed from outside… tantrism would seem to be an “easy road,” leading to freedom pleasantly and almost without impediments.
“No one succeeds in attaining perfection by employing difficult and vexing operations; but perfection can be gained by satisfying all one’s desires” – Guhyasamajatantra
…all contraries are illusory, extreme evil coincides with extreme good. Buddhahood can – within the limits of this sea of appearances – coincide with supreme immorality; and all for the very good reason that only the universal void is, everything else being without ontological reality.
But the “easiness” of the tantric path is more apparent than real… The fact is that the tantric road presupposes a long and difficult sadhana, which at times suggests the difficulties of the alchemical opus.
… the void (sunya) is not simply a “nonbeing”; it is more like the Brahman of the Vedanta, it is of an adamantine essense, for whch reason it is called vajra (=diamond). “Sunyata, which is firm, substantial, indivisuble and impenetrable, proof against fire and imperishable, is called vajra.” (Advayavajra-samgraha).
For tantric metaphysics, both Hindu and Buddhist, the absolute reality… contains in itself all dualities and polarities, but reunited, reintegrated, in a state of absolute Unity (advaya).
The creation, and the becoming that arose from it, represent the shattering of the primordial Unity and the separation of the two principles (Siva-Sakti, etc); in consequence, man experiences a state of duality (object-subject, etc.) — and this suffering, illusion, “bondage.” The purpose of tantric sadhana is the reunion of the two polar principles within the disciples own body. “Revealed” for the use of the kali-yuga, tantrism is above all a practice, an act, a realization (=sadhana)…
From (from Yoga: Immortality and Freedom by Eliade)
Goddess of Beauty and Play and Love and Joy!
Let us invoke the sweet smelling one!
Naked, with fiery green eyes and golden skin, hair aflame in crimson light
Her arms granting boons and dispelling all fear.
Her naked body marked with blood and ash,
Her heart aflame with passion and fire!
Aom! I salute the beautiful one of three worlds!
Jai Devi! Jai Tripurasundari!
Obeiassance to the Lotus eyed one of sweet nectars, Jai Pankajakshi!
Aom! With incense of sandal I salute Thee! Jai Devi!
Aom! With lights I salute Thee! Jai Istadevi!
Aom! With water I salute Thee! Jai Sarvagata!
Be favourable to me, oh blossom honey of light!
Grant thine aid unto me, that I may come to rest
in your sweet smelling presence, Jai Shrimati!
With sandalpaste, ash, sindur and water I am marked
to your devotions, oh Vibhutidevi!
With the bijamantra HRIM I invoke Thee!
AOM HRIM HRIM HRIM!
Jai Tripurasundari! Jai Lalita! Jai Devi!
Oh, Mandayanti, grant me Thy grace! Give me of Thy milk to drink!
Oh, Jayesvari, inform me with Thy blood kissess!
Let Thy brilliant light shine through me, fullfilling me of Thy divine embrace!
Jai Sadhya! Jai Sadhwi! Jai Sara! Jai Savitri! Aom!
Aom nama Tripurasundari!
Aom HRIM HRIM HRIM!
 (Pankaja “mud born, lotus” + akshi “eye”) The lotus eyed.
 One’s chosen goddess (“beloved goddess.”)
 (sarva “all” + gata “having gone”) Having pervaded all, having reached everywhere.
 (shri “beauty, light, wealth” + mati “having”) Having beauty and fortune, the beautiful.
 Glory, might, wealth. Consecrated ash used by devotees of Shiva. Also the 6th of Lalitas 108 names.
 Delighting, rejoicing.
 (jaya “victorious” + iswara “sovereign goddess”). The victorious goddess.
 Sadhya, “the attainable,” a name of Lalita. Sadhwi, “the virtuous.” Sara, “the Essence.” Savitri, the consort of the Sun.